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Od małego „Dyzia” do dorosłego „rycerza z La Manchy”. Analiza problemu marzycielstwa u dzieci i młodzieży z perspektywy kulturowo-historycznej teorii rozwoju

100%
Gąsiorek P.
Studia Edukacyjne
|
2021
|
issue 60
87-101
EN
This study describes the issue of maladaptive daydreaming. This phenomenon is becoming a contemporary educational problem because it limits the development potential of children and adolescents as well as their interpersonal relations. The field of possible understanding of maladaptive daydreamingin relation to terms related in meaning was outlined, as well as the current attempts at its scientific conceptualization. In my analysis, I go beyond the dualistic understanding of the children’s real and imaginary world, referring to the cultural-historical theory of the development of creative imagination as a higher mental function as an internalized system of social relations. From this perspective, the phenomenon of daydreaming in children and adolescents, in relation to reality, is not treated in a dichotomous way, but as a social development situation.
2
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Gdzie kończy się literatura? Głos Pana i Golem XIV — Stanisława Lema „resztki (po) powieści”

63%
Brzostek D.
Literatura i Kultura Popularna
|
2017
|
vol. 23
39-50
EN
The paper discusses the literary works of Polish science fiction writer — Stanisław Lem, particulary two of his late novels: His Master’s Voice (1968) and Golem XIV (1981). The essay focuses on the relics of a novel in these non-narrative works, including the lectures of an artificial intelligence (Golem XIV) and scientific essays on the first contact between humans and alien life form (His Master’s Voice). A subject of the paper is the psychoanalysis of the creative process and the reading of the relics of a novel such as a description (as a pattern of development) or a found-manuscript device in terms of Lacanian theory of the symptom and the theory of jouissance of the speaking subject (parlêtre).
3
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Poskromić przyszłość? Myśli, marzenia i wyobraźnia w książce „Los indomables pensamientos del señor O” Amali Boselli i Vero Gatti

51%
Stępień K.
Literatura Ludowa
|
2019
|
vol. 63
|
issue 2
EN
The paper focuses on the Argentine picture book for children by Amalia Boselli and Vero Gatti titled Los indomables pensamientos del Señor O from 2013. It is suggested to analyze the text with respect to Rousseau’s philosophical reflections on time and dreaming as seen by Poulet, and on the basis of the future orientation paradigm and the concept of daydreaming studied from the psychological perspective. The research revolves around the relationship between the main character’s mental imagery and his perception of the future, with regards to actions he undertakes. Over time, Mr. O’s thinking process becomes dominated by the anticipatory imagination which deprives him of boundless creativity experienced in childhood. Eventually the protagonist’s journey ends with the triumph of creative imagination. It is through numerous references to the emotionality and sensuality - present at both verbal and visual levels - that the text by Boselli and Gatti intensifies a singular reading experience. Thus, despite several simplifications and generalizations, it opens up to the individualized (child and adult) reader response.
PL
Praca poświęcona jest analizie argentyńskiej książki obrazkowej dla dzieci Amalii Boselli i Vero Gatti pt. „Los indomables pensamientos del Señor O„ („Nieposkromione myśli Pana O”) z 2013 roku. Proponuje się odczytanie historii tytułowego bohatera w odniesieniu do refleksji filozoficznych Rousseau na temat czasu i marzenia w interpretacji Pouleta, a także w oparciu o paradygmat orientacji temporalnej i wizję marzenia dziennego z perspektywy psychologicznej. Artykuł bada związek między obrazami mentalnymi głównego bohatera a jego postrzeganiem przyszłości i podejmowanymi działaniami. W miarę upływu czasu w procesie myślenia Pana O dominować zaczyna wyobraźnia antycypacyjna, przesłaniająca mu potencję nieograniczonej kreatywności z czasów dzieciństwa. Celem podróży postaci jest zwycięstwo wyobraźni twórczej. To poprzez liczne odwołania do emocjonalności i zmysłowości – zarówno w warstwie werbalnej jak i wizualnej – tekst Boselli i Gatti intensyfikuje towarzyszące każdej lekturze sensualne czytelniczego doświadczenie. Tym samym, pomimo obecnych w opowieści uproszczeń i generalizacji, otwiera się na zindywidualizowany odbiór, dziecięcy czy dorosły.
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