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The Biblical Annals
|
1979
|
vol. 26
|
issue 1
13-24
PL
The author starts with an analysis of the New Testament texts containing quotations from the Old Testament. Then he examines the contents and context of the quoted line in its original place, and on the basis of these two analyses he examines the influence of the Old Testament on the description in the Gospel. He infers that the Evangelists have used the quotations and allusions from the Old Testament in relation to secondary details of the Passion of Christ. So important Old Testament texts as Isa. 52,13-53,12 have not been quoted probably in order not to give the faithful the impression that undertaking this passion and death for human sins, Jesus just fulfilled the prophecies. The task of redemption through Christ’s Passion and Death was an expression of so great a love towards the Heavenly Father, and through him to the people, and was so fruitful, that no prophecy of the Old Testament could fully reflect this reality.
EN
The poetics of death descriptionin the work of Sergey Nikolayevich Durylin The article presents the worldview of one of the leading thinkers of the first half of the twentieth century in Russia, Sergey Nikolayevich Durylin, by describing examples of the description of death in the writer’s work. Based on the works The Bells (1928) and In his own corner (1924–1939), the author shows the influence of the biographical elements of Durylin, on the formation of his artistic thanatology. At the same time, points to cultural associations (suffering from the death of a beloved person described as a state close to psychosis), folklore (motif of death of a witch), literary (“death — a dream” motif) and religious (repentance before death, perception of eternity). Durylin’s thanatology manifests itself in his perception of the the Last Judgment — a dream about eternal life. The author emphasizes the writer’s identification of death with the vision of a bell as a symbol of eternal life.
PL
Poetyka opisu śmierciw twórczości Siergieja Nikołajewicza Durylina W artykule ukazano światopogląd jednego z czołowych myślicieli pierwszej połowy XX wieku w Rosji — Siergieja Nikołajewicza Durylina, przedstawiając charakterystykę przykładów opisu śmierci w twórczości pisarza. Na podstawie utworów Dzwony (1928) oraz W swoim kącie (1924–1939) został zaprezentowany wpływ elementów biograficznych Durylina na kształtowanie się jego artystycznej tanatologii. Wskazano przy tym na obecne w opisach śmierci bohaterów asocjacje kulturowe (cierpienie z powodu śmierci ukochanej osoby opisane jako stan zbliżony do psychozy), folklorystyczne (motyw śmierci czarownicy), literackie (motyw „śmierć–sen”), a także religijne (skrucha przed śmiercią, postrzeganie wieczności). Tanatologia Durylina manifestuje się w jego postrzeganiu sądu ostatecznego — śnie o życiu wiecznym. Autor podkreśla utożsamienie przez pisarza śmierci z wizją dzwonu jako symbolu życia wiecznego.
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