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Darwinizm a problem zła

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PL
Michael Ruse polemizuje z poglądem, wedle którego przyjęcie darwinowskiej wizji ewolucji przekreśla możliwość bycia wierzącym chrześcijaninem. Autor przytacza zarzuty czołowych ewolucjonistów skierowane pod adresem religii chrześcijańskiej (argument z istnienia zła w świecie) i przedstawia tradycyjne odpowiedzi sformułowane w świetle filozofii św. Augustyna i Leibniza. Co najistotniejsze, autor podkreśla, że odpowiedzi na zarzuty ewolucjonistów można upatrywać w samym darwinizmie, który wyjaśnia genezę i przyczyny zła moralnego i fizycznego.
EN
Author argues against the view that accepting the Darwinian idea of evolution precludes the possibility to be a faithful Christian. Author cites the objections of leading evolutionists to the Christian religion (argument from the existence of evil in the world) and presents traditional answers formulated in the light of the philosophy of Saint Augustine and Leibniz. Most important, author emphasizes that answers to the objections of evolutionists can be seen in Darwinism itself which explains the origin and causes of moral and physical evil.
EN
This article attempts to analyze two Daniel Buren’s artworks highlighting their intrinsic relations with urban space in order to show up, through meticulous research of the mise-en-scènes established by conglomerates of each artwork itself and urban surroundings, their basic presumptions relating to the spatio-cultural structure of the city. The author inquires about the urban ontology which underlies the Buren’s discursive postulate of activation of the eventness of place by his artistic interventions. From the investigation of the visual performance of Buren’s artworks arises also the issue of the function of the pictorial surface in relation to the three-dimensionality of the urban.
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