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La forma de la falacia. Una relectura del tópico de la cetrería en la novela Nocturno de Chile de Roberto Bolaño

100%
Trojanowski A.
Estudios Hispánicos
|
2019
|
vol. 27
221-233
EN
The aim of the article is a rereading of the falconry motif in Roberto Bolaño’s novel Nocturno de Chile, based on an analysis of the critical reception existing so far. The study combines the traditional methods of narratology with a close-reading-orientated approach on the textual, narrative and intertextual level. As a result, the formal aspect of the novel, based on the techniques of incongruity and indetermination, is seen as a narrative tool to discredit the fallacies of the narrator’s monologue. By positioning the allegoric and symbolic readings of the motif in the context of the narrative technique, it seems that the main focus of the novel is a deconstruction of the testimonial mode of enunciation and, as a consequence, a critical revaluation of the actual debate on the history and memory in Chile and Latin America.
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Humor, crisis y crítica en la poesía tardía de Pablo Neruda

100%
Sara-de La Vaissière M.-L.
Kwartalnik Neofilologiczny
|
2023
|
issue 1
125-136
ES
A partir de los 1950, la poesía nerudiana explora los matices expresivos del humor como una nueva estrategia estética para encarar los tormentos personales y políticos. Si entra en crisis, no obstante, dicho humor es a la vez un espejo agrio, un baluarte y un consuelo liberador para salir del apuro.
EN
Since 1950, nerudian poetry explores humor’s expresive shades as a new aesthetic strategy to face personal and political turmoils. If such humor can be critical, it though becomes both a bitter miror, a stronghold and a releasing comfort.
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