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  1. 1 Kwartalnik Młodych Muzykologów UJ

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  1. 1 Salas M. A. D.

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  1. 1 2017

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Discontinuum-continuum: the Theory of Composition by Julio Estrada

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Salas M. A. D.
Kwartalnik Młodych Muzykologów UJ
|
2017
|
issue 1(32) Eng
109-123
EN
The Julio Estrada’s output is still an unexplored area, what creates the opportunity to study the phenomenon called discontinuum-continuum. During the last thirty-six years of his creative activity, Estrada has developed several aspects of the macro-timbre that integrate particular compounds of a composition. In his research, Estrada confronts two different situations in the compositional process: continuous transformation of the sound and chronographical method, using strictly defined recording process in order to receive three-dimensional movements of the sound in the topological order. As a result of existence these two situations, a musical work is impossible to be defined by one technique or musical style. Examination of the theory of composition called discontinuum-continuum allows one to understand a new methodology of musical creation that involves scientific research of the physical phenomenon of sound and introspection of the imagination of the sound.
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