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EN
The main aim of the present study is to indicate the most salient elements of the image of pigeons and doves in Classical Sanskrit literature (kāvya). The author has identified three groups of such elements, which are dealt with in three separate sections of the paper: pigeons and doves are discussed as birds closely associated with humans, as well as symbols of love and sorrow. With the help of this information, in another section of the paper, selected kāvya stanzas featuring pigeons or doves are analysed in more detail.
EN
The article is devoted to the symbolics of doves on epigraphic embroidered towels (mainly known as rushnyks with inscriptions), which were massively produced by Ukrainian girls and women from the end of the nineteenth till the middle of the twentieth century. Embroidering lines from folk songs or proverbs on textile was a very popular kind of so-called written (or fixed) folklore. By combining these verbal texts with different images of pigeons, fundamentally new works were created. For some time, this phenomenon was almost forgotten. However, in the course of recent years Ukrainian collectors and artists have been actively using old embroidered samples for souvenir products or stage decorations. Being popularized and updated in our time, the meaning of these embroidered birds has undergone significant changes. On specific examples, the author shows how one and the same image of pigeons acquires different, often even opposite senses depending on the context.
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