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Perswazja i dyskurs Zła we współczesnej muzyce popularnej na przykładach Rolling Stones i Extremoduro

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Gregori A.
Język a Kultura
|
2014
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vol. 24
253 - 270
EN
Dealing with discourses produced in contemporary popular music, it is usual in contemporary youth’s imaginary to find rock considered as metonymic with authenticity, remaining as a movement an outstanding extension of Romanticism. Then, when drawing out its motifs from Satanism, successful rock lyrics need a rhetorical stylization in order to construct persuading songs beyond traditional morals. The main goal of this article is to analyze and compare this kind of stylization in the Rolling Stones’ Sympathy for the Devil and Jesucristo García, written by the Spanish band Extremoduro, taking them both as examples of popularized dramatic monologues that present the topic of attraction of Evil performed by devilish figures.
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W stronę lokacyjnego monologu wypowiedzianego. O eksplorowaniu literackich ucieleśnionych przestrzeni pamięci

100%
Przybyszewska A.
Przegląd Kulturoznawczy
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2020
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issue 2 (44) Immersyjne przestrzenie pamięci w środowiskach rozszerzonych
1-24
EN
This paper offers a close reading of site-specific audio installation Data Urns (by Daniel Huber) and audio-walk Her Long Black Hair (by Janet Cardiff) in context of works created as corporeal and haptic experiences in different media. Used methodology is inspired by a new media and theatrical research as well as the traditional literary studies. Author uses category of dramatic monologue as a key to analyse literary aspects of characterized works and proposes the category of locative dramatic monologue as more useful in context of not-only-verbal immersive narratives. The goal of analysis (in which the category of haptic and exploratory reading is developed) can be also described as looking for possibilities of readapting traditional analytic tools in new (media) contexts as a way of postulated renewing of poetic of literary work.
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