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EN
The paper presents activities of the printing house founded in 1787 at the Jesuit College in Polotsk. The printing house became an academic printing house in 1812; it ceased to exist at the time of the dissolution of the Academy. The group of the most important printing house personnel, including the managing prefects and the employees directly associated with books – from the censors and the coadjutors to the printing house boys, is listed. Based on the existing inventory lists, their workshop, i.e. the printing equipment housed in all the printing house rooms, can be presented in detail, and their printing achievements, i.e. editions of the books stored in the warehouses and the academic bookshop, can be indicated.
EN
The role of portraits copied with the use of mechanical reproduction techniques played in the praxis of the rule of King of Poland Sigismund I the Old (1507-1548) is analysed; the effigies included the King and his family members, and were copied on prints, coins, medals, as well as book  bindings. The portraits of the type were created with the recipients from outside the narrow circle at the Cracow court in mind; executed in larger numbers of copies, they were meant to reach the public who did not stay in direct contact with the monarch, often even unaware of  what he looked like. The identification of the portrayed individuals was to a higher degree than in the case of traditional portraits dependent on conventional media, such as inscriptions, signs, or the applied presentation formula. The ideological sense contained in those elements has been analysed, and an attempt has been made to ascertain models and/or inspiration sources for respective works.
PL
Celem artykułu jest ustalenie roli, jaką w praktyce sprawowania władzy przez króla Polski Zygmunta I Starego (1507-1548) odgrywały portrety powielane za sprawą mechanicznych technik reprodukcji (wizerunki króla i członków jego rodziny na drukach, monetach, medalach i oprawach ksiąg). Portrety tego typu powstawały z myślą o odbiorcach spoza wąskiego grona krakowskiego dworu, wykonywano je w większej liczbie egzemplarzy z myślą o dotarciu do odbiorców nie mających bezpośredniego kontaktu z monarchą, a częstokroć nawet nieznających jego wyglądu. Określenie w nich tożsamości portretowanych osób, w stopniu znacznie wyższym niż w przypadku tradycyjnych konterfektów, było uzależnione od konwencjonalnych środków przekazu, takich jak inskrypcje, znaki oraz zastosowane formuły obrazowe. Analizie poddano sens ideowy zawarty w tych elementach oraz podjęto próbę ustalenia wzorów i/lub źródeł inspiracji dla poszczególnych dzieł.
EN
The paper presents activities of the printing house founded in 1787 at the Jesuit College in Polotsk. The printing house became an academic printing house in 1812; it ceased to exist at the time of the dissolution of the Academy. The group of the most important printing house personnel, including the managing prefects and the employees directly associated with books – from the censors and the coadjutors to the printing house boys, is listed. Based on the existing inventory lists, their workshop, i.e. the printing equipment housed in all the printing house rooms, can be presented in detail, and their printing achievements, i.e. editions of the books stored in the warehouses and the academic bookshop, can be indicated.
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