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Programy muzyczne i dziennikarstwo muzyczne w TVP Wrocław w latach 1962–2010

100%
Starzec-Kosowska I.
Zeszyty Prasoznawcze
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2013
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vol. 56
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issue 4
527-552
EN
The main subject of the paper is music programming on Wrocław TV, which has boasted for many years of being one of the most prolifi c regional music stations. Additionally, the development of music journalism on Wrocław TV is discussed. The aim of the article is a detailed analysis of music programming on Wrocław TV from its beginnings until 2010 and its correlation with music journalism opportunities. The study is a part of the author’s PhD thesis entitled: ‘Music Journalism in Polish Television Wrocław in 1994–2010’. The conclusions of the paper come from a critical analysis of available written and visual sources obtained from Wrocław TV materials. The main research material consists mainly of: minutes, resolutions, programme scenarios, plans, programme drafts, and broadcast schedules as well as KRRiT (National Broadcasting Council) reports and was obtained from TV archives and private sources. The detailed analysis of all those materials yielded substantial conclusions on the development of music programming on Wrocław TV during its activities as a public television. The results of the research show a gradual reduction in the broadcasting of music and music programmes on Wrocław TV and consequently the decline in music journalism into a marginal specialism.
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Tylko Rock – rezultaty badań nad miesięcznikiem

100%
Trudzik A.
Zeszyty Prasoznawcze
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2014
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vol. 57
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issue 3
565-591
EN
Tylko Rock (Only Rock) 1991-2002Tylko Rock is the first magazine that was covered by complementary, thorough research in media studies. A monthly magazine for over a decade (1991-2002), it gained a unique position because it combined many years of experience and history of Polish journalism and (rock) music press with a new model, which began to crystallize during the transition period, since 1989. In addition, the analysis also allows to formulate some conclusions about the current (and future) position of this press segment. Journal editors tried to keep the title at the appropriate editorial and content level. In the view of the author, this article had to fulfil three basic tasks. First, to disseminate the results of research conducted by the author for several years. Secondly, it was about the methodological and substantive enrichment of the new area (subdiscipline) of scientific exploration and cognitive interests, initiated and successfully developed by the author, which in Poland have neither in the Polish People’s Republic, nor in the Third Republic, been yet implemented, that is in the field of music journalism. Finally, the author’s intention was to introduce the most important and most interesting rock magazine in Poland (certainly after 1989) to a wider audience.
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