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EN
In „Reading (from) Plants”, the oeuvre of Urszula Zajączkowska, specifically her films and poetry is examined within an eco-posthuman framework. The objective is to demonstrate how the poet-botanist expands the scientific idiom to include other methods of speaking about reality, using various, mutually complementary media and arriving at a coherent artistic project, in which image and words simultaneously overcome dichotomous divisions. Zajączkowska’s gesture of surmounting the scholarly discourse enables the relationships between human and non-human protagonists in her work to function on an equality basis; the hierarchies are invalidated and as a result the reader/viewer may look at the world with greater attention and lucidity of mind.
PL
The aim of this paper in to show the work of Urszula Zajączkowska in the light of eco-posthuman notions. The analysis will focus on film and poetry which, according to the Warsaw botanist, become complementary tools of the scientific narrative,  and serve to describe relationships between humans and other organisms.
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