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EN
The aim of this article is to analyze polemics published in the interwar period in “Wiadomości Literackie” magazine and initialized by the debut of Maria Kuncewiczowa. This polemics gave rise to discussion on the style of female writing in general. Criticism focused on the language spoken by writers trying to tell their own private or even intimate stories ruled out from the dominant narrative created by the male authors.
EN
In Poland, the name Dagny is well-known because of the sad life and tragic death of the Norwegian wife of the famous and scandalising Polish-German fin de siécle writer Przybyszewski. But not many people know that she was a writer and poet herself, even if not a very prolific one. Her ouevre consists of four short plays, five poems in prose and a handful of poetry. The aim of this article is to analyse her plays and prose in respect of the relations between a man and a woman. Especially, I enquire if Juels work is only an expression of the literary conventions of her epoch, or if she gives her texts an unique (feminine) touch. I attempt to demonstrate that the latter is the case in her dramatic work and especially in her prose poetry.
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