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Prominence in Beat Structure

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The sonority scale is generally invoked in order to provide an account of possible syllable or beat structures - the more sonorous a segment the more likely it is to serve as a nucleus. Auditory considerations, however, point to the primacy of onsets instead of nuclei as the most perceptually prominent segments in a syllable. Prominence Phonology (Schwartz, in preparation) considers the structure of a beat to be based on the interaction of two preference scales - one for onset prominence, and one for nuclear prominence. This paper presents the auditory properties of the two scales, and describes how the interactions between them may affect beat structure. These interactions can offer a plausible account of the "empty nucleus", and provide a formal vehicle in describing the application of Natural Phonological processes. The connection between beat structure prominence scales and the representation of segments in Prominence Phonology is also discussed, with implications for the interface between phonetics and phonology.
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Listener Oriented Representations in Natural Phonology

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While Natural Phonology has long contended that phonemes are specified for their phonetic properties, followers of the theory have concentrated primarily on phonological processes, instead of delving into the details of pronounceable representations. In the area of representation, NP has thus failed to pursue its claim that systematic articulatory and perceptual phenomena below the level of segmental contrast must be treated phonologically. By building an explicit model of representation in NP, we may help the theory to meet one of its primary challenges: "to confirm the hypothesis that speech processing is categorical, or phonological, down to the level of the actual phonetic (pronounceable) representation" (Donegan 2002: 79). Prominence Phonology (Schwartz, in press) is an NP-inspired model that seeks to take Donegan's call to action to heart, introducing new and phonetically explicit representations based upon scalar yet monovalent elemental primes. This paper introduces these representations with the goal of refining our view of the signal so as to develop a phonological view of speech.
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