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EN
The main aim of this paper is to propose a new Polish translation one of the well-known Michel de Montaigne’s essays, De la vanité des paroles (On the Vanity of Words, I 51). For the humanist, rhetoric delimited only to elocution responsible for linguistic adornments becomes the subject for critical investigation. In a short introduction to the essay, the author takes into consideration the rhetoric of Montaigne’s discourse on ‘the vanity of words’ with a particular attention to two rhetorical forms: amplification and figuration. Raising questions about lack of temperance in amplifying and adorning words with tropes and figures, the humanist attempted to revalorize linguistic and stylistic simplicity. Therefore, to find the proper words for various things, emotions and experiences are the central concern of an essay, a new literary genre invented by Montaigne.
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St. Thomas Aquinas, Dramatist?

84%
Studia Gilsoniana
|
2016
|
vol. 5
|
issue 1
109-133
EN
The article begins with the statement that there is one aspect of St Thomas’s work that has not received due scrutiny as a literary form, one with solid dramatic qualities and structure: the Article. The Article is as Thomistic as the syllogism is Aristotelian. This particular mode of argument was evidently original with St. Thomas: he did not derive it from the work of any other writer, yet its inner movement is of the essence of dialectic, from the opening proposition to opposing objections, then “to the contrary” position as found in orthodoxy, and then the writer’s resolution, and so on. It is a variation on the classic sic-et-non, a reasonable, balanced to and fro of the sort beloved by disputants. No parallel or even parody of this Article is to be found in any known literature before or since the thirteenth century. The author aims to show that part of the sheer power of the Article resides in the fact that it has two levels of operation. The surface is composed of the dialectical to-and-fro adumbrated above. But under that surface lies a rhetorical structure constructed along the lines of the five divisions of the rhetorical logos as laid out by Cicero and Horace.
EN
The article presents the reflections of Maciej Kazimierz Sarbiewski (1595–1640, Polish Jesuit, Latin poet) on the poetry and the rhetoric of his two treatises: Characteres lyrici and De figuris sententiarum. The comments are focused on the very interesting aspects in the poetry: the compatibility of all elements, the subsection of the emotional expression to the thinking process of the author (the poet) and the cognitive and ethical role of the poetry (the poet being the creator and observer of the world, the philosopher, the teacher, the artist and the theorist). Sarbiewski also comments on the issue of balance between the subject of the poet and the subject of the receiver, the reader once the poetry is simultaneously creative and honest.
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