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(Re)discovering a Rhetorical Genre: Epideictic in Greek and Roman Antiquity

100%
Pepe C.
Res Rhetorica
|
2017
|
vol. 4
|
issue 1
17-31
EN
Epideictic rhetoric has been traditionally stigmatized as flattery or empty show without any practical goal. Where does such attitude towards epideictic come from? To answer this question, we explore the ancient debate about the nature and the function of the epideictic genre. In the second part of this paper, we discuss the recent reappraisal of the epideictic among classical scholars and fi nally focus the attention on a promising fi eld of research: epideictic speeches in honor of women.
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Le génie de Néron : l’hypotypose comme subversion de la rhétorique dans Britannicus de Racine

51%
Lecompte J.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
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2016
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issue 11
175-185
EN
Since the eighteenth-century, painting and harmony have regularly been celebrated by criticism in Racine’s verses. With the decline of rhetoric, the sedimentation of literature has quickly covered what depended on art of speech. The subversion of rhetoric, in Britannicus’ hypotyposis, could have contributed to this phenomena. As a bad orator, Nero looks at Junie with a careless look. Judicium can be outflanked by ingenium: paying no attention to the natural signs of the èthos, Nero adopts sophistry and her charms.
FR
Depuis le XVIIIe siècle, la critique a souvent célébré la peinture et l’harmonie dans les vers de Racine. Les sédiments de la littérature, avec le déclin de la rhétorique, ont vite recouvert ce qui dépendait de l’art de parler. La subversion de la rhétorique, dans l’hypotypose de Britannicus, a pu contribuer à ce phénomène. En mauvais orateur, Néron porte sur Junie un regard sans attention. Le iudicium se laisse déborder par l’ingenium : négligeant les signes d’un èthos naturel et modeste, Néron adopte la sophistique et ses charmes.
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