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1

Text-obydlí – unikát ve spektru české poezie?

100%

Polách Balonová M.

Bohemistyka

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2021

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issue 2

EN

The The study Text-obydlí – unikát ve sprektru české poezie (The text-dwelling – rarity in spectrum of czech poetry) deals with Miloslav Topinka’s second poetry collection, whose first edition (1970) was destroyed and its re-edition was not published util 1991. In his second collection the poet uses experimental procedures (construction of text as a living space, words transformation into rats etc.) that make the collection Krysí hnízdo a unique work that stands out from general tendencies of Czech poetry of the 20th and 21st centuries.study Text-obydlí – unikát ve sprektru české poezie (The text-dwelling – rarity in spectrum of czech poetry) deals with Miloslav Topinka’s second poetry collection, whose first edition (1970) was destroyed and its re-edition was not published util 1991. In his second collection the poet uses experimental procedures (construction of text as a living space, words transformation into rats etc.) that make the collection Krysí hnízdo a unique work that stands out from general tendencies of Czech poetry of the 20th and 21st centuries.

CS

Studie Text-obydlí – unikát ve spektru české poezie se zabývá druhou sbírkou Miloslava Topinky, jejíž první vydání v letech 1970 bylo zničeno a reedice se sbírka dočkala až roku 1991. Ve své druhotině již básník naplno využívá experimentální postupy (vystavění textu jako obytného prostoru, proměna slov v krysy aj.), díky čemuž se sbírka Krysí hnízdo stává jedinečnou a vymyká se obecným tendencím české poezie 20. století a 21. století.

2

Mluvím, a tedy jsem

84%

Langerová M.

Slovo a smysl - Word & Sense

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2016

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vol. 13

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issue 26

13-25

EN

In 1960s Czechoslovakia, experimental poetry became an important part of the conceptual turnaround in art. The language in this poetry had its own weight as an object, which, however, lost its function and participated the programs of its own self-destruction. The language of poetry interceded in various fields — the creation of art, new music, sciences. From the end of the 1950s, the poems (‘written by voice’) of Ladislav Novák arose analogously to visual poetry. These unique magnetic tape records were, in the course of the 1960s, put into the international context of vocal poets — Henri Chopin, Ilse and Pierre Garnier, Bernard Heidsieck, Franz Mon, Gerhard Rühm, and so on. This phonetic poetry became part of the search for a universal language of experimental poetry, yet, at the same time opened a new conception of the relationship between poetry and music.

3

Povaha písma, jeho meze a nosiče : výpisky a poznámky k historickým aspektům mediální dimenze psaní a literární komunikace

51%

Glanc T.

Česká literatura (Czech Literature)

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2015

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vol. 63

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issue 6

835-859

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1 Langerová M.

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Text-obydlí – unikát ve spektru české poezie?

Mluvím, a tedy jsem

Povaha písma, jeho meze a nosiče : výpisky a poznámky k historickým aspektům mediální dimenze psaní a literární komunikace