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„Fałszywa” a „prawdziwa demokracja” w programach nowych organizacji niemieckiej skrajnej prawicy w latach 2013–2017

100%
Macała J.
Studia Politologiczne
|
2018
|
vol. 47
11-26
EN
The aim of this article it the analysis of antinomy between “false” and “true” the democracy in political thought of the 3 new extreme right organizations in Germanys. They criticize the existsting model of the liberal democracy which in their opinion is incapable of dealing with multidimensional crisis of the western world. The analysed organizations declare for creation of the “true democracy”, based upon the will of nation the and institution of referendum hiding authoritarian solutions. As alternative for current “false democracy”, representative, dominated by arrogant, corrupted and egoistic, particularly political, elites, who ignore the will of nation.
2
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Stylistique et poétique de l’extrême : analyse de l’oeuvre poétique "Galerie infernale" de Jean-Marie-Adiaffi

94%
Koffi F.
e-Scripta Romanica
|
2020
|
vol. 8
74-84
EN
Galerie infernale, in many ways, is a subversion against the language and ethical standards. This transgression is perceived at different levels of language: lexicon, syntax and left, logic combination of sense and thought. This language of rupture is put at the service of thought itself at odds with ethical values commonly accepted in society. Everything happens so as if the poet decided to cross the humanly acceptable limits and to peer into the territories of the extreme language and ethics, as to reveal the finitude and the failure of language, with its all too outdated moral. The aim of the game is to offer other possibilities to a society adrift despite its standards.
FR
Galerie infernale est, à bien des égards, une œuvre subversive par rapport aux normes langagières et éthiques. Cette transgression se perçoit à divers niveaux du langage : lexique, combinaison syntaxique et syntagmatique, logique du sens et de la pensée. Ce langage de rupture est mis au service d’une pensée elle-même en rupture avec les valeurs éthiques communément admises en société. Tout se passe comme si le poète décidait de franchir les limites de l’humainement acceptable et de scruter les territoires de l’extrême langagier et éthique, comme pour révéler la finitude et l’échec du langage, avec sa morale tout aussi désuète, le but du jeu étant de proposer d’autres possibles à une société en dérive en dépit de ses normes.
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