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PL
Artykuł stanowi próbę zdefiniowania gonzo journalism w kontekście rozważań nad „literackością” i „dziennikarskością”. Łże-reportaż Ziemowita Szczerka „Przyjdzie Mordor i nas zje” porównany został z tekstami Huntera S. Thompsona i książkami reporterskimi Jacka Hugo-Badera. Autorka stara się odpowiedzieć na pytanie, jakie konsekwencje dla „dziennikarskości” tekstu ma wprowadzenie fikcyjnego narratora i co decyduje o zawarciu paktu faktograficznego z czytelnikiem.
EN
The article is an attempt to define gonzo journalism in the context of the debate on the “literariness” and “journalistic” nature. The quasi-reportage by Ziemowit Szczerek “Przyjdzie Mordor i nas zje” [Mordor will come and eat us] is compared with the texts by Hunter S. Thompson and reportage books by Jacek Hugo-Bader. The author tries to answer the question about the consequences of introducing a fic - tional narrator for the “journalistic nature” of a text, and what determines the fac- tual pact with the reader.
EN
Lately in Ukrainian literature many texts appeared about of Russian-Ukrainian war. War is actual in a literary process, she is in works of writers that did not participate in war as fighters, also as proses, poetries and dramas of combatants. Prose of combatants is examined in this article. Many authors prefer the genre of diary. But only little part of authors really conducted a diary on this war. Most authors were written in social networks. Returning from war, they used written in social networks, as basis for books. For all authors the books of that we studied, there are receptions of fiction in memoirs. We came in to the conclusion, that new memorialists modernized the genres of diary and remembrance.
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