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The paper examines the impact of cinematic representations of impoverished areas of Rio de Janeiro in the film City of God on the growth of the demand for favela tours in this city. In the first two parts, I describe postmodern changes in culture, society and economy and theoretical explanations of production and consumption of tourist attractions. In the third part, I define contemporary practices of slum tourism and examine three examples of convergence of literal versus literary and visual slumming. In the last part, I analyse the narratives of City of God movie, taking into consideration the film-making process.
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