Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  fictional narrative
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

Эстетическая гетерономия как принцип построения художественного нарратива: к эстетической функции интертекстуальности

100%
Kotin M. L.
Przegląd Wschodnioeuropejski
|
2021
|
vol. 1
381-397
EN
The relations between the “main” narrative parts of a belletristic text and its (cross)references to other works of literature and/or music, painting etc. play an important part in the structure and functioning of a literary work. The phenomenon of intertextuality belongs at present to the favourite subjects of the research of texts, among others, of fictional texts. However, some relevant functions of implementation of external esthetical works, both literary texts and other art forms, into a fictional narration have not been investigated yet. This paper presents an analyses of two works of narrative fiction written by Tolstoy and T. Mann, with a special attention to the esthetical function of intertextuality by implementation of cross-references to the works of the composer Beethoven (in the case of Th. Mann also of the poet Goethe). The claim is that intertextuality in the esthetical sphere induces a double esthetical function and determines the phenomenon which I will call “esthetical heteronomy”. Its main feature is a very specific influence of external esthetical sources on the internal esthetical values of the primary text.
2

Reálná a imaginární Praha v romanetu Svatý Xaverius Jakuba Arbesa

51%
Změlík R.
Slavica Wratislaviensia
|
2015
|
vol. 161
305 - 312
EN
The present study discusses the issue of a relationship between the fictional world of a prose narrative and the real topography of Prague. The main aim of the paper is to point out the difficulties springing from making uncritical connections between fictional entities and real objects or places, which happens not just during casual reading, whose equivalent in literary theory is Umberto Eco’s term “empirical author,” but also in certain strands of literary criticism, influenced mainly by positivism and psychologism. In the specific analysis of Jakub Arbes’s romanetto Saint Xaverius, the present author’s ambition is not to manifest programmatically the autonomy of fiction, but rather to undertake a critical reading that should lead to an understanding of this dichotomy as an issue of the modality of fiction.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.