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Publiczny sens sztuki w kontekście paradygmatu

100%
Potocka M. A.
Estetyka i Krytyka
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2013
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issue 3(30)
87-98
XX
F u n c t i o n s o f a r t. Private: between the artist and his work. Public: put forward and organised through culture. T y p e s o f a r t. Fine art: work governed by expression and compositional impressions. Art of ideas: work plays a problem; this determines the visual devices used. V a l u e s. Fine art: manual and compositional talent. Art of ideas: the personality of the artist
2
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INNOVATIVE POSSIBILITIES OF ACTIVITIES WITH VISUAL ART IN PRE-PRIMARY EDUCATION

100%
IVANA R.
Scientific Bulletin of Chełm - Section of Pedagogy
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2019
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issue 1
19-38
EN
The paper deals with the interpretation of visual art and the presentation of the project entitled “Visual artists in nursery school” that was suggested and verified in practice of pre-primary education. The author pointed out the theoretical background of using of visual art in pre-primary education that is illustrated by practical examples – interpretation of artwork by Pablo Picasso Three Musicians. In conclusions of the paper, the author listed the reflection of the project and the recommendation for the practice of pre-primary education.
3
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fucking with grammar

100%
Aboim M.
InterAlia: Pismo poświęcone studiom queer
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2023
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issue 18
116-127
EN
Art practices occupy a space of liminality within academia, being valid, appropriate to illustrate questions and discourses in social sciences and humanities, and not sufficient in mainstream academia to assert what art foregrounds as ‘knowledge’. So, what happens when art has something to claim through non-academic methods of inquiry? Even more complicated, what happens when art allows putting forward theoretical hypothesis involving the immateriality of affect? Departing from a practice-led research focusing on the endurance of white, cisgender, and heteropatriarchic impositions, as well as the ways these impositions materialise themselves on the body, this paper explores the possibilities of Fucking with grammar, a writing method developed throughout the writing of my PhD research. Linguistics has been stretched for centuries by QUILTBAG individuals - queer and questioning, unsure, intersex, lesbian, transgender and two-spirit, bisexual, asexual and aromantic, gay and genderqueer; swardspeak, lavender, and code-switching all entail ways of reshaping and creating language as response to socio-political necessities, camouflage, or simply to access a jargon that can be more faithful to practices and embodiments of the group creating it. However, there is a different kind of reclaiming emerging, when performance artist, actress, and activist Linn da Quebrada utters “I am a cisgender woman with one breast and a penis,” she is committing the kind of epistemic disobedience that undoes epistemology. Here, I focus on disobediences that bring western epistemologies to collapse. These challenges that contribute to what Denise Ferreira da Silva calls “the end of the world as we know it” (2014). To end what ‘we’ know requires a different ‘how’, it entails methodological deployments that help bringing into crisis academic hierarchies regarding [research] corroborability. Questioning after Audre Lorde: how does one make tangible the immeasurable and unpredictable without being averted and undercut by the tools still sustaining the master’s house? The approach I propose here is Fucking with grammar. Fucking with is associated with messing with someone; fuck you or fuck me is negatively perceived; in sex, ‘fuck you’ or ‘fuck me’ is one-sided - the act of fucking should be fucking with, because even when saying ‘I want to fuck you’ it is still necessary more than one person for this ‘fucking’ to actually happen. Similarly, in English, the correct preposition following the verb ‘to dream’ is ‘of’ or ‘about’, which makes absolutely no sense: because when one is dreaming, one is embedded in a withness that ‘of’ or ‘about’ cannot account for. This piece shares how I fuck with grammar within a practice-led PhD research: applying Portuguese and Turkish grammar structures to English, generating verbs or nouns out of adjectives and vice versa[s]. Fucking with grammar is a mode of surpassing some of language’s limitations when speaking of that which is immaterial; it is a semantic slap in the face calling for decolonisation of one’s immediacy of logic when assuming typos and linguistic ignorance within writings not following English normativities. I t is a method that contributes to a broader challenge to formats sustaining hierarchies around what is considered ‘academic’ research.
4
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ALTERNATIVE EXISTENCE OF ART IN “INTERNAL EMIGRATION” IN SLOVAK PART OF CZECHOSLOVAKIA IN YEARS 1977–1989

87%
BÁTOROVÁ M.
Slavia Occidentalis
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2018
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issue 75/2
59-67
EN
This paper presents a comparison of Slovak and Czech dissidents, the origin of the so-called “silent” dissent, alternative art in Slovakia in the years of normalization, mostly after 1977.
5
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Essay: The Renaissance versus the Avant-Garde

86%
Kantor M.
Forum Philosophicum
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2013
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vol. 18
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issue 2
139–168
EN
The essay contrasts two recurring phenomena of European culture: renaissance and avant-garde. The author discusses the paradigmatic Renaissance of 15th and 16th centuries and the paradigmatic Avant-Garde of early 20th century from the point of view of a practicing artist, interested in philosophical, social, religious, and political involvements of artists and their creation. The author shows the artistic and social history of 20th century as a struggle between the Avant-Garde and the Renaissance ideals, which, as he points out, found a fertile ground in in the 20 years that followed immediately the Second World War.
6
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DEFINICJA POJĘCIA „DZIEŁO SZTUKI” I JEJ PRZYDATNOŚĆ W STOSUNKACH UBEZPIECZENIOWYCH

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Górecki P.
Zeszyty Prawnicze
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2015
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vol. 15
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issue 4
51-67
EN
The article analyses the definition of “an item of fine art” and its practical application in the spectrum of insurance relationships. The definition is considered from a general point of view as well as from the legal perspective. It is also collated with synonymous concepts (i.e. antiquity, cultural property, exhibits) and briefly examined in different legal contexts (fiscal, administrative, international, civil). This review leads to a conclusion that it is impossible to find a satisfactory and generally applicable definition of “an item of fine art,” and that therefore searching for such a definition is a waste of time. On the other hand, attempts to define “an item of fine art” shed light on its classic features, which may be useful in certain cases.The article draws attention to the indirect impact of certain reflections and observations regarding “fine art,” notably their effect on the interpretation of the concept of “items of fine art” in civil law and civil contracts. It also shows that an accurate definition may be essential in an insurance relationship, since the subject of insurance protection has to be clearly defined. These practical implications apply particularly to situations when an item of fine art is not the sole object of insurance protection and when it is an element of an insured collection.The article considers not only the applicable legislation but also the general terms and conditions used by insurance companies.
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Tajsa czyli skad cyganski mural znalazl sie w Tarnowie

58%
Laczynska-Widz E.
Studia Romologica
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2016
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vol. 9
279-282
EN
The Author write about cultural project – quasi-exposition with few events about and with Roma, realized in Tarnow in 2014.
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