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Customer Involvement in the Game Development Process

100%
Prystupa-Rządca K., Starostka J.
Journal of Entrepreneurship, Management and Innovation
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2015
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vol. 11
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issue 3
43-66
EN
The creative industry is a fast developing sector of economy in many countries. Growing competition in this area has led many companies to implement strategy of users' involvement in product development in order to deliver products that are more aligned with customers’ needs. On the other hand, the attempt to align the customers’ expectations with artistic creativity may create tensions. Therefore, the aim of the research is to examine the methods of users’ involvement in product development and real impact of the users on project design. The obtained findings are based on two-year qualitative research project conducted in game development companies.
2
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Digital Games as a Cultural Phenomenon: A Brief History and Current State

88%
Rokošný I.
Acta Ludologica
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2018
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vol. 1
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issue 2
48-61
EN
Digital games are one of the biggest cultural phenomenon of our time. From the first primitive devices, throught milestones of age, which inherited cultural status, to the newest technology – every part has its own meaning and proves that humans are playful creatures. But in digital games lies much greater potential, which can be used outside of the gaming industry, because games have an irredeemable place in the majority of the population. In current times we can even talk about gaming society and the author of this overview study sees his goal to process the historical development of digital games, analyse its current state and therefore this study could serve as the theoretical framework for further exploration, such as the future development of this area.
3
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When Geopolitics Meets the Game Industry. A Study of Arabic Video Games and What They Teach Us

75%
Courmont B., Clement P.-A.
Hemispheres. Studies on Cultures and Societies
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2014
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vol. 29
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issue 1
31-47
EN
Concomitant with its recent growth, politics have in several cases pervaded the video gaming industry (as in Americas Army by the US Army in 2003 or Special Force by the Hezbollah). Other games deserve closer scrutiny. This article focuses on Quraish, its Syrian developer Afkar Media, and on the reactions to its creation and diffusion. However, instead of being a simple tool of political manipulation, this game is part of a larger phenomenon: an endogenous set of statements from Arab societies about themselves, to themselves and the West. This article intends to demonstrate that popular objects can be used to make autonomous statements about society challenging both endogenous orthodoxy and exogenous Orientalism.
4
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Relacje społeczne kadry zarządzającej oraz pracowników kreatywnych w kontekście tworzenia wartości

51%
Klimas P.
Problemy Zarządzania
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2016
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issue 4/2016 (64), t.2
80 – 97
EN
Social relationships of both managers and creative workers in the context of value creation
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