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EN
Explaining which circumstances, influences and phenomena enter into the gender of a text, the paper considers the conditions of its translatability. In the first part, examples of English-Czech translations of non-literary and literary texts are chosen for discussion. It is argued that even texts with a feminist potential, i.e. texts in whose themes and forms gender issues are highlighted as an apparent result of the author’s political intention or imaginative work, can lose this potential in the process of being translated into Czech. This is the case in the work of translators who are blind to gender manifestations in the text, and/or who suppress the gender of the translated text in accord with the cultural, textual, and language norms of the target (Czech) culture. In contrast with the quite frequent “gender blindness” of Czech translators, the article in its second part discusses the provocative concepts and approaches of Feminist Translation – a critical discourse and translation practice with its roots in the 1970s Québec. Though a few Czech translations are close to Feminist Translation, the main benefit of introducing it into the Czech milieu is to make the gender of a text an issue, and to work for its acknowledgement through small concrete steps.
EN
Despite the growing interest in women’s writing, women translators and their achievements are rarely discussed. The article focuses on mechanisms behind the exclusion of women’s writing from literary history and examines the social status of three women translators as contributing to their invisibility. Dora Gabe, Slava Shtiplieva and Anastasia Gancheva were co-workers at Polish-Bulgarian Review. Each developed a different strategy to cope with the unfavorable intellectual climate of interwar Bulgaria. Their biographies show the connections between marital and social status of a woman writer and the esteem of her works. They also confirm the claim that translating, instead of writing, was thought to be more appropriate for women because of the low position translation occupied in the hierarchy of artistic occupations.
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