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PL
The Vlachs in mid-16th century Upper Hungary had different obligations than all other subjects of the feudal estate. The sum of all fiscal obligations of the Vlachs is summarized in the census of the Muráň castle estate, which always designates it under the name “census Valachorum”, a phrase that includes the delivery of sheep, lambs, quarks, or pieces of harness for horses. Their main obligation consisted in a number of sheep, lambs, and goats according to the size of their flock, which they delivered around the Pentecost. Another obligation typical of the Vlachs was the bellows cheese. For every flock was due a harness (cinctorium), named at times after its Hungarian equivalent, heveder. If this harness is common to a number of the feudal estates, on the Muráň castle estate it was supplemented by a wool fabric, called in Hungarian nemez, and in Latin subsellium, probably because it was used as felt padding for the horseback, under the saddle.
PL
The main reason for this study are the bronze objects found on the body of a woman (supposedly a “priestess”) from an Iron Age grave (VII century BC) from Marvinci in the Republic of Macedonia. There has also been a bronze statue recently presented in a public space in Skopje, as a contemporary art interpretation of this archeological finding. The main focus of this article is a semiotic analysis of arch-shaped bronze elements from this grave. Based on the form of similar finds from Europe they are defined as cheek-pieces i.e. elements of the reins for horse riding, but in Macedonia they have been used in another function – as female jewelry or as handles of a specific ritual implement. The study suggests overcoming of these contradictions through the following semiotic relations: a girl/mare + equipment for riding = a harnessed mare/wife, i.e. the use of these objects as symbols of a “wild woman” who is transferred from the sphere of “natural” to the sphere of “cultural” through the act of marriage, becoming a “tamed/a domesticated wife”. Within the same relationship the following paradigm is proposed (husband = ruler: wife = subject). Several facts are stated in the argumentation of this relationship: the mythological and ritual traditions based on ancient written sources; a ritual tradition of Slavic and Balkan folklore; a Slavic and ancient Greek lexeme with the meaning husband and wife whose etymology is based on the meaning of harnessed. This semiotic relation offers a possible key for the interpretation of the twenty bronze statues of horsemen placed in the last three years in the capital of the Republic of Macedonia, as part of the project “Skopje 2014”.
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