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RETURNS FROM THE ART MARKET. PRICE INDEX EVALU-ATED FOR THE MOST-TRADED POLISH PAINTERS

100%
Witkowska D., Kompa K.
Metody Ilościowe w Badaniach Ekonomicznych
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2014
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vol. 15
|
issue 2
414-428
EN
Relatively new approach toward investing is to concern pieces of art as in-vestment instrument or collateral. In order to decide whether art is a good in-vestment, it is necessary to evaluate expected returns, which might be ob-tained from such investment thus an art price index should be developed. The aim of the paper is to discuss artworks as investment assets and evaluate price index of paintings produced by 11 Polish artists whose artworks were traded the most often on auctions that held in Poland in the years 2007-2010. In our research, employing data concerning 750 objects, we apply he-donic index methodology to estimate returns from the paintings market. Our results justify the opinion that art can be treated as safe asset class, especially in comparison to equity market.
2

Construction Of Hedonic Price Index For The “Most Liquid” Polish Painters

75%
Kompa K., Witkowska D.
Folia Oeconomica Stetinensia
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2014
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vol. 14
|
issue 2
76-100
EN
Art market has been developing in Poland and the first Art Fund was established in 2011. Therefore it seems that investment in art can be considered as alternative form by Polish investors. In order to decide whether art is a good investment, it is necessary to evaluate expected returns which might be obtained from such investment thus an art price index should be developed. The aim of the paper is to discuss artworks as investment assets and evaluate price index of paintings produced by 11 Polish artists whose artworks were traded the most often on auctions that were held in Poland in the years 2007–2010. In our research, employing data concerning 750 objects, we apply the hedonic index methodology to estimate returns from the paintings market. The results of our investigation show that hedonic quality adjustment essentially influences evaluation of artwork prices therefore we propose the aggregated hedonic index which might better describe situation at the art market than the hedonic index biased by the specification of a single model.
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