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Metafizyka i synteza w sztuce współczesnej na przykładzie interpretacji dzieł Boba Wilsona, Billa Violi i Jamesa Turrella

100%

Solewski R.

Estetyka i Krytyka

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2011

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issue 1(20)

167-178

EN

After descriptive analysis of selected works of Bob Wilson, Bill Viola and James Turrell, the author points out the “methaphysical longing” visible during the phenomenological approach. He stresses however the necessity of hermeneutic interpretation which discovers the location of aesthetic function in poetics and deepens this way methaphysical sense or artworks, as well as it confirms the identity of receiver, according to Gadamer’s concept of Auffülen.

2

Metaphysical cognition in hermeneutic interpretation: remarks on Grzegorz Sztabiński’s The Writing of Nature – Transcendence III

88%

Solewski R.

Estetyka i Krytyka

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2016

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issue 4(43)

123-142

EN

The article contains a hermeneutic interpretation of the art of Grzegorz Sztabiński, a contemporary Polish artist creating drawings, paintings and installations. It starts with definitions of transcendence, hermeneutic interpretation, metaphysical cognition, and artistic installation. The main section is comprised of descriptions and interpretations of the artist’s works, created throughout his career, including his own comments and those of his critics, especially in relation to the cycle Pismo natury – Transcendencja [The Writing of Nature: Transcendence]. The text explains how the artist finds the signs of writing to be traces of transcendence concealed in nature and how the relationship between the artwork and the place is used to build the new contexts of each exposure (serving always to discover the transcendence). Finally, the game of models of distinguishing the object of metaphysical cognition is described and in conclusion the metaphysical cognition discovered in the hermeneutic interpretation of an artwork is found as a way of being in the world proposed by art.

3

Curiosity and coincidentia oppositorum: on the legacy of Aleksander Sapieha as an author of Journey around the Slavic countries in the years 1802 and 1803

51%

Połczyńska M.

Poznańskie Studia Slawistyczne

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2018

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issue 15

PL

Aleksander Antoni Sapieha has gone down in the history of Polish science, he is one of the episodic figures in the political history of our country in the Napoleonic era; and in the history of Polish literature he appears as the author of the Enlightenment travelogue. The reading of Journey around the Slav countries in the years 1802 and 1803 and the semantically defined narrator-hero-real author on the basis of hermeneutic interpretation is an attempt to supplement the ways in which both, the travel book and its creator, are discussed in Polish scientific and popular science literature about those aspects that can be derived from the text itself. Among them, attention is paid to the specificity of a research attitude stretched, so to speak, between its two complementary pars, rational and idealistic, combined in a particular pragmatism of knowledge, in which the pursuit of cognition accompanies the pursuit of common good. The result of the hermeneutic experience of reading Sapiehaʼs travelogue is an attempt to capture his scientific and social heritage which takes into consideration the plane of this internally doubled, yet coherent research attitude, which in a broader sense seems to be surprisingly fresh and inspiring.

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2 Estetyka i Krytyka

1 Poznańskie Studia Slawistyczne

2 Solewski R.

1 Połczyńska M.

1 2018

1 2016

1 2011

Metafizyka i synteza w sztuce współczesnej na przykładzie interpretacji dzieł Boba Wilsona, Billa Violi i Jamesa Turrella

Metaphysical cognition in hermeneutic interpretation: remarks on Grzegorz Sztabiński’s The Writing of Nature – Transcendence III

Curiosity and coincidentia oppositorum: on the legacy of Aleksander Sapieha as an author of Journey around the Slavic countries in the years 1802 and 1803