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D’une hétérotopie à l’autre où le vagabondage au féminin (Jean Echenoz, Un an)

100%

Jişa S.

Quêtes littéraires

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2014

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issue 4

156-163

EN

Jean Echenoz’s text presents Victoria’s story who runs away from Paris, believing that she has killed her lover. Her straying (that embraces the form of a relative deterritorialization in a Deleuzian sense) lasts one year and it is built up geographically upon a descent (more or less symbolical) to the South of France and, after that, she comes back to Paris and encloses the spatial and textual curl. From a spatial point of view, she turns into a heterotopia (Foucault) every place where she is located, fact that reflects her incapability of constituting a personal, intimate space. The railway stations, the trains, the hotels, the improvised houses of those with no fixed abode are turning, according to Marc Augé’s terminology, into a « non-lieux » that excludes human being. Her vagrancy is characterized through a continuous flight from police and people and through a continuous decrease of her standard of living and dignity. It’s not about a quest of oneself, but about a loss of oneself. Urged by a strong feeling of culpability, her vagrancy is a self-punishment that comes to an end when the concerns of her problems disappear and she finds out that her lover is alive.

2

Opowieści o „miastach odzyskanych” – proza Stefana Chwina, Pawła Huellego, Joanny Bator i Ingi Iwasiów

99%

Izdebska A.

Białostockie Studia Literaturoznawcze

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2014

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vol. 5

EN

This article refers to the way of space functionalization in the Polish literature of recent decades, being, in various manners, representation of experiences connected with the post-war resettlements of European population. The text demonstrates differences between phantasmatic spaces of Stefan Chwin and Paweł Huelle’s stories and heterotopic non-places in Inga Iwasiów and Joanna Bator’s novels.

3

Przestrzeń jako dynamiczny kontekst współczesnej władzy politycznej

71%

Laska A.

Athenaeum. Polskie Studia Politologiczne

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2019

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vol. 62

113-126

EN

The author of this article aims to analyze the impact of contemporary space transformation and its perception on the relations of political power. The spatial context of power reduces to its material and non-material correlates, where it is also composed of socially produced constructs. In the first place, the subject of the analysis is the distinction of mutual relations between such specific phenomena. In the following, the author emphasizes the phenomenon of diversifying the sources of power and analyzes its dynamics as a fundamental consequence of the heterogeneous character of space. On this basis, he draws theoretical conclusions that are to become useful in empirical research and proposes one of the possible directions for the desired organization of power in modern democracies.

PL

Autor niniejszego artykułu stawia sobie za cel analizę wpływu współczesnej transformacji przestrzeni oraz jej postrzegania na relacje władzy politycznej. Kontekst przestrzenny władzy sprowadza zarówno do jej korelatów materialnych, jak i niematerialnych, gdzie składają się na nią także konstrukty wytwarzane społecznie. W pierwszej kolejności przedmiotem analizy staje się więc wyróżnienie wzajemnych relacji między tak określonymi fenomenami. W dalszej części autor uwydatnia zjawisko dywersyfikacji źródeł władzy oraz analizuje jej dynamikę jako zasadniczą konsekwencję heterogenicznego charakteru przestrzeni. Na tej podstawie wyciąga wnioski teoretyczne, które mają stać się przydatne w badaniach empirycznych, a ponadto proponuje jeden z możliwych kierunków pożądanego organizowania władzy we współczesnych demokracjach.

4

Prostor u Čudnovatim zgodama šegrta Hlapića

50%

Rezo V.

Libri & Liberi

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2013

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vol. Vol 2

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issue No. 2

225-240

HR

Polazeći od teorijskih postavki suvremenih teoretičara poput Henrija Lefebvrea, Edwarda Soje, Michela Foucaulta, Gastona Bachelarda i dr., rad iščitava Čudnovate zgode šegrta Hlapića kao roman ceste (kretanja) i roman prostora (razotkrivanja značenja prostornih uporišta), uz neizbježno isprepletanje dviju perspektiva, uzimajući u obzir autoričino u proslovu višekratno nagoviješteno žanrovsko određenje djela (pripovijest). Protagonist romana napušta sigurno utočište vlastitoga doma prešavši kućni prag, a upravo se ova prostorna minijatura na kojoj se odvija Hlapićev izlazak iz kuće malim recipijentima sugerira kao točka iz koje trebaju stupiti u priču, kao mjesto njihova ulaska u narativni prostor. Našavši se na putu, mali flaner (od trenutka krađe čizmica, tragač za rješenjem problema) osvaja prostor raznim osjetilima, registrirajući mahom pozitivne značajke ruralnoga krajolika, a negativne urbanoga. Hlapićevo se lutanje odvija po nemapiranome prostoru, topografski ispražnjenome, po kojemu su razmještena sporadična spacijalna hvatišta poput štaglja, mosta ili kamenoloma te posebno važna heterotopija sajma i njoj subordinirana heterotopija cirkusa, dva mjesta „izvan svakoga mjesta“ (Foucault), koja je ipak moguće locirati.

EN

Starting from theoretical assumptions of contemporary theoreticians such as Henri Lefebvre, Edward Soja, Michel Foucault, Gaston Bachelard, this paper considers the novel Čudnovate zgode šegrta Hlapića [The Brave Adventures of Hlapich the Apprentice] as a ‘road novel’ and a representative of the ‘space-oriented novel’, taking into account the genre’s specification as implied in the preface by the author. The main protagonist of the novel leaves the safe haven of the only home he has by crossing the doorstep, and it is precisely this space miniature, in which Hlapich’s departure takes place, that is offered to young readers as their point of departure into the story, i.e. their entry point into the narrative space. Finding himself on the road, the little flâneur (from the moment his shoes are stolen, he becomes a problem solver) conquers place with various senses, registering mostly the positive features of the rural landscape and the negative ones of the urban one. Hlapich’s wandering occurs in an unmapped space, topographically emptied, across which sporadic spatial points of reference, like a barn, a bridge or a quarry, are deployed, as well as the particularly important heterotopia of the fair, and the one subordinated to it − the heterotopia of the circus − two places that “are outside of all places” (Foucault), even though it may be possible to locate them in reality.

DE

Ausgehend von den Ansätzen zeitgenössischer Theoretiker wie jenen von Henri Lefebvre, Edward Soja, Michel Foucault, Gaston Beachelard u. a., wird der Roman Čudnovate zgode šegrta Hlapića [Wunderbare Reise des Schusterjungen Clapitsch] als „Straßenroman“ bzw. Variante des „raumorientierten Romans“ interpretiert. Dabei wird die durch die Verfasserin im Vorwort vorgenommene Gattungsdefinition des Textes als Erzählung berücksichtigt. Der Protagonist verlässt den sicheren Hafen seines Heimes, indem er die Hausschwelle übertritt. Gerade diese räumliche Miniatur, innerhalb der sich Hlapićs Auszug in die Welt vollzieht, dient sowohl als Ausgangspunkt der Geschichte wie auch als Eintrittspunkt für die Rezipienten in den Erzählraum des Romans. Der kleine Flaneur, der Vagabund Hlapić, der nach dem Raub seiner Stiefel zum Problemlöser wird, erobert auf seinem Weg den Raum mit unterschiedlichen Sinnen. Dabei nimmt er die vornehmlich positiven Merkmale ländlicher bzw. negativen Aspekte urbaner Landschaften wahr. Hlapićs Wanderung vollzieht sich durch einen unvermessenen, topographisch entleerten Raum, in dem sporadisch räumliche Bezugspunkte wie die Scheune, die Brücke oder der Steinbruch vorkommen. Darunter ist der Heterotopie des Jahrmarktes, sowie dem ihr untergeordneten Zirkus besonderer Stellenwert beigemessen, denn obgleich sie lokalisierbar sind, handelt es sich um „Orte außerhalb aller Orte“ (Foucault).

Refine search results

1 Athenaeum. Polskie Studia Politologiczne

1 Białostockie Studia Literaturoznawcze

1 Libri & Liberi

1 Quêtes littéraires

1 Izdebska A.

1 Jişa S.

1 Laska A.

1 Rezo V.

1 2019

2 2014

1 2013

D’une hétérotopie à l’autre où le vagabondage au féminin (Jean Echenoz, Un an)

Opowieści o „miastach odzyskanych” – proza Stefana Chwina, Pawła Huellego, Joanny Bator i Ingi Iwasiów

Przestrzeń jako dynamiczny kontekst współczesnej władzy politycznej

Prostor u Čudnovatim zgodama šegrta Hlapića