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1

Styl vysoky a nizky

100%

ĆMEJRKOVA S.

Stylistyka

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2011

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vol. 20

81-90

CS

The dichotomy of a „high style” and a „low style” goes back to Lomonosov's delineation of a „high style”, a „middle style”, and a „low style” in his famous Ritorika (1748), or- in the Czech setting - to Jungmann's theory of styles formulated in his Slovesnost (1820). Though the trichotomy does not solve the problems in classifying styles and genres, the delineation of the three basie stylistic qualities still preserves it validity in the theory of linguistic practi- ces (such as orthoepic variation, lexical choices, etc.), and does not lose its explanatory po- wer in folk linguistic considerations. The manifestations of „high” (elaborated) and „low” (restricted) discursive practices are illustrated using the analysis of a Czech „sophisticated crime novel” Stin katedraly (The Shadow of the Cathedra!) by Miloś Urban. In this novel, both practices characteristic of communication competencies of the two main heroes of the novel are linguistically represented, contrasted and hyperbolized.

2

Prymas, ojciec, pasterz....Role komunikacyjne kardynała Wyszyńskiego

100%

MAKUCHOWSKA M.

Stylistyka

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2009

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vol. 18

203-217

PL

The paper describes the language and stylistic features of Stefan Wyszyński ’s pastorał let- ters, resulting from the communicative roles which were taken by the Primate of Poland. These were the roles of bishop, father, shepherd or prophet, which on the one hand expressed the superior position of the speaker and on the other hand his caring attitude to- wards his addressees. The roles determined an emotional character of persuasive strate- gies as well as the use of the means of high style.

3

O wzniosłości w dyskursie religijnym (z perspektywy słownictwa)

89%

Makuchowska M.

Stylistyka

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2017

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vol. 26

251-268

EN

The article is devoted to sublimity as one of the rule shaping religious discourse (especially in Christian religious tradition). In the first part the author presents three ways of understanding of the term sublime/sublimity, which have developed during historical reflection on this category: sublimity as a grand style (one of the three rhetoric styles); as a grand (high) speech (Pseudo-Longinus); as an ambivalent experience of dread and fascination (Rudolf Otto), that arouses in the believer feelings of numinous. The second part examines the lexis (vocabulary) as a mean to achieve sublimity in religious texts. The author points out however, that the effect of sublimity is achieved not only by means of lexis, hence further research is needed.

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3 Stylistyka

1 MAKUCHOWSKA M.

1 Makuchowska M.

1 ĆMEJRKOVA S.

1 2017

1 2011

1 2009

Styl vysoky a nizky

Prymas, ojciec, pasterz....Role komunikacyjne kardynała Wyszyńskiego

O wzniosłości w dyskursie religijnym (z perspektywy słownictwa)