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EN
The moon is one of the basic motives in the output of K.I. Gałczyński and a designation animated by him the most frequently – in the poet’s lyrics appeared 97 animisations of the moon. Using them the moon is created as a human being: it has a human appearance, it behaviours like a man, it has a human psyche and human interests, it plays various social roles. The type of animation used the most frequently is the anthropomorphisation and the considerably rarer are anthropopateis, animisations and animalisations. The density degree of the moon animisations in the poems is low (41,9), same as the degree of their frequency (45,3). The majority of samples of the stylistic figure plays the poetic function or dynamism to the lyric picture, the other are used for the expressive and humoristic purpose.
EN
The article describes conceptual patterns for blackness and whiteness that were formed as the polish language evolved. The author analyzes constructions, which can be found in the early lexicographic works. She also presents us with stabilizing tendencies, the gain of formation and describes primary – being the essence of the meaning of the colour – and secondary prototype references. Additionally material taken from contemporary vocabularies, providing for comparisons – prototypes is being presented.
EN
The purpose of this paper was presentation and interpretation of words for letters A–N, which in "Słownik warszawski" (“Warsaw Dictionary”) bear common qualifier. Words were compared with the standard language of the late nineteenth and early twentieth century. It was assumed that common vocabulary is synonymous with colloquial vocabulary and is an unofficial, characterized by familiarly. The analysis allow to reveal that the collected vocabulary shows features that are assigned to colloquial vocabulary: characterized by emotional, negative valuation, anthropocentrism, the dominance of nouns, a grouping of lexemes in a few meaning scope and expressive word formation. High emotionality of vocabulary, many variants of words characterized by dialect and numerous marked alternations of word formation resulted that the vocabulary could not be considered to be correct. Due to the fact that is was not neutral, it can not be used for official business, and thus be considered as exemplary. The analysis shows that the nineteenth century standard language indicated not only incorrect forms, but also indicated the scope of usage of particular words. Language was differentiated in terms of usage possibility.
PL
Artykuł stanowi opracowanie z zakresu czasowników onomatopeicznych w gwarach Śląska, a konkretnie dotyczy leksemów opisujących głosy i zachowania ptaków. Zagadnienie zostało zaprezentowane na tle słowiańskim i w kontekście polszczyzny ogólnej, z uwzględnieniem polszczyzny historycznej (zwłaszcza doby staro- i średniopolskiej). Przytoczone przykłady opowiadają się za tezą o więzi między budową głoskową wyrazu a jego znaczeniem. Zwraca się uwagę na istotną w wypadku onomatopei opozycję u–i (samogłoskom tylnym: u, o, a odpowiada wyobrażenie dużych przedmiotów, a samogłoskom przednim: i, y, e – wyobrażenie małych obiektów). Ważny wydaje się sam fakt odnotowania interesującego zbioru „ptasich” onomatopei, gdyż w polskiej literaturze omawianej tematyce poświęca się stosunkowo niewiele miejsca (przeważają publikacje obcojęzyczne).
EN
This paper is a study dedicated to onomatopoeic verbs in the Silesian dialect, and specifically, lexemes describing bird sounds and behaviours. The subject has been discussed compared to Slavic languages and in the context of the common Polish language, as well as taking into consideration historical Polish (in particular that in the Old- and Middle Polish era). The provided examples support the thesis that there exists a link between the word’s sound formation and its meaning. There is emphasized the opposition between ‘u’ and ‘i’ which is essential in the case of onomatopoeia (back vowels ‘u’, ‘o’ and ‘a’ are used with reference to large objects, while front vowels ‘i’, ‘y’ and ‘e’ – small objects). Noticing an interesting set of ‘bird-type’ onomatopoeia also seems important, since there is relatively little mention of this phenomena in the Polish literature (foreign studies prevail).
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