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Alegoria w „Historii powszechnej” Teofilakta Simokatty. Przyczynek do badań nad obecnością alegorii w literaturze bizantyńskiej

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Kotłowska A.

Prace Filologiczne. Literaturoznawstwo

2017

issue 7(10)

191-203

: The History by Theophylact Simocatta constitutes a very important source for the history of Byzantine civilization in the last two decades of the sixth century, especially within the context of the appearance of the Avars and Slavs in the Balkans. Its importance as a source is also to be valued in the aspect of the Persian conflict on the eastern border. Photius, the Patriarch of Constantinople (cod. 65, ed. Henry) was very strict in his opinion of the allegories present in Simocatta’s prose. The purpose of this paper is to verify the appropriateness of such harsh review by analyzing the presence of allegory in historical narrative in question. The analysis of all allegorical images present in Theophylact’s work has confirmed that the opinion presented by the author of Bibliotheca was indeed proper. Allegories in question prove to be highly conventional, lacking creativity, indistinctive and quite standard for the time. Only the image of Odysseus wandering, which served as allegory of writing, deserves to be called authentic and emotional. Not only are they of middling artistic value, but also they do not provide any help in interpreting the historical events they describe. Moreover, there is one fragment, where the allegory used can be even misleading and cause some misunderstandings of the text. Nevertheless, other rhetorical structures present in Theophylact’s History deserve to be praised, such as the method in which he uses the quotes from the epic. Such quotes are always very smoothly and diligently composed into narrative and designed to strengthen the author’s axiological argumentation, which seems to be a universal standard in Byzantine literature.

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1 Prace Filologiczne. Literaturoznawstwo

1 Kotłowska A.

1 2017

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Alegoria w „Historii powszechnej” Teofilakta Simokatty. Przyczynek do badań nad obecnością alegorii w literaturze bizantyńskiej