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EN
The authors summarize the academic legacy of late Oktawiusz Jurewicz and his role as a leading Polish byzantinist of the second half of the 20th century. The text is supplemented by the detailed and updated bibliography of Jurewicz.
EN
The overview study focuses on a brief outline of the history and disciplinary identity of North American folklore studies (folkloristics, folklore) with an emphasis on the field of verbal culture. Major research themes, research schools, and personalities are presented, as well as the history of the institutionalization of the field at the U.S. universities after World War II After a brief introduction to the origins, when North American folklore studies did not differ significantly from British and Continental scholarship, its development during interwar period and especially in the 1960s and 1970s, when its emancipation took place, mainly because of unique American emphasis on study of folklore performance, is described. Critical overview text thus presents basic contours of this specific academic field, practiced mainly in the U.S.A and Canada, which in many aspects represents a unique scientific discipline with close ties to international folklore studies, European ethnology, and anthropological fields in general.
Pamiętnik Literacki
|
2021
|
vol. 112
|
issue 3
233-256
PL
Artykuł omawia relacje dotyczące XIX-wiecznej ewolucji historii idei i jej związków z badaniami literackimi. Przez cały wiek trwała debata, czy filologia, filozofia i historia są osobnymi naukami humanistycznymi, czy też stanowią elementy większej całości zwanej potocznie „humanistyką” lub „naukami humanistycznymi”. Idea jako pojęcie związane z filozofią poznania stała się jednym z głównych obszarów sporu. W artykule proponuję interpretację eseju „Milczenie” Cypriana Norwida jako tekstu, który został zaplanowany przez poetę, by włączyć się w ten spór.
EN
The article examines the 19th century evolution of history of ideas and its relatedness to literary studies. The debate whether philology, philosophy, and history are autonomous humanistic disciplines or they make up a part of what is informally referred to as “humanities” or “humanistic sciences” lasted for the whole century. The idea, seen as a notion connected with philosophy of cognition, became the central part of the debate. In the present paper I suggest an interpretation of Cyprian Norwid’s essay “Milczenie” (“Silence”) as a text designed by the poet to enter this debate.
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