Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  husband and wife
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
Studia Gilsoniana
|
2022
|
vol. 11
|
issue 2
181-206
EN
Our whole discussion has focused on man’s self-fulfillment in and through the marital union. The mutual self-donation of man and woman is a participative act in that whenever acting is performed ‘together with the other,’ the husband and wife transcend themselves in action and thereby realize the authentically personalistic value of the action and man’s self-fulfillment in it. This mutual selfgiving of husband and wife finds its expression in and through the body. This self-fulfillment, however, is attained only when the husband and wife become responsible for each other and meet the demands of the personalistic norm. The marital union must adapt itself to the objective demands of the personalistic norm, without which the act of mutual love between husband and wife is degraded to the ‘utilitarian’ level. The structure of responsibility which demands reference to the object in accordance with its true value must be satisfied.
PL
The main reason for this study are the bronze objects found on the body of a woman (supposedly a “priestess”) from an Iron Age grave (VII century BC) from Marvinci in the Republic of Macedonia. There has also been a bronze statue recently presented in a public space in Skopje, as a contemporary art interpretation of this archeological finding. The main focus of this article is a semiotic analysis of arch-shaped bronze elements from this grave. Based on the form of similar finds from Europe they are defined as cheek-pieces i.e. elements of the reins for horse riding, but in Macedonia they have been used in another function – as female jewelry or as handles of a specific ritual implement. The study suggests overcoming of these contradictions through the following semiotic relations: a girl/mare + equipment for riding = a harnessed mare/wife, i.e. the use of these objects as symbols of a “wild woman” who is transferred from the sphere of “natural” to the sphere of “cultural” through the act of marriage, becoming a “tamed/a domesticated wife”. Within the same relationship the following paradigm is proposed (husband = ruler: wife = subject). Several facts are stated in the argumentation of this relationship: the mythological and ritual traditions based on ancient written sources; a ritual tradition of Slavic and Balkan folklore; a Slavic and ancient Greek lexeme with the meaning husband and wife whose etymology is based on the meaning of harnessed. This semiotic relation offers a possible key for the interpretation of the twenty bronze statues of horsemen placed in the last three years in the capital of the Republic of Macedonia, as part of the project “Skopje 2014”.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.