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Tendencja do hiperbolizacji w kreowaniu rzeczywistości we współczesnych tekstach kultury na przykładzie internetowych artykułów informacyjnych

100%

Galilej C.

Poradnik Językowy

2022

vol. 798

issue 9

10-27

The subject matter of the analysis in this article is the phenomenon of hyperbolisation in mass media communication, which is often encountered in the public sphere. A hyperbola is a verbal construction (a rhetorical figure as well as a clue) with a special linguistic potential, often used for advertising, expressive, commentary, and ludic purposes. The impression of semantic excess and the process of creating the convention of the aesthetics of overstatement and exaggeration in the media message are ensured by specific linguistic means, including: appropriate types of lexis, phraseologisms, diverse metaphors, morphological measures, and a supra-linguistic context. It turns out that hyperbolisation is one of the linguistic determinants of mass culture. It makes the media message more attractive, strengthens its persuasive power, is emotional, fresh, and linguistically original. It also transmits certain values: cognitive, utilitarian, hedonistic, aesthetic, vital, ethical.

Romantičarski kodovi u romanima Miodraga Bulatovića

86%

Bečanović T.

Poznańskie Studia Slawistyczne

2011

issue 1

The paper identifies the romantic codes that are activated in the organization of the novels of Miodrag Bulatovic, relying on the theoretical assumptions of Aleksandar Flaker about the stylistic formation of romanticism, whose postulates occur even outside the periods, mainly as peripheral poetic codes within different systems. The disintegrative energy of this period and its preference for the destruction of the canon came to full expression in the narrative process of Miodrag Bulatovic. Romanticism as a supra-historical and anthropological category is generally based on the maximal postulates that involve the destruction of the existing world, as well as an aggressive attitude towards reality, which is built into the writer’s universe and reaches its climax in his last novel, entitled Gullo Gullo and his eschatological mythemes. The irrational and fantastic images in the narrative process have been equated with real events co-existing as a narrative element completely equal to reality, and what is fantastic, unnatural and unusual reveals itself as very ordinary and realistic, erasing the boundaries between reality and fiction, belonging to one and the same, a diabolical universe, which substantially regulates romantic codes.

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1 Poradnik Językowy

1 Poznańskie Studia Slawistyczne

1 Bečanović T.

1 Galilej C.

1 2022

1 2011

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Tendencja do hiperbolizacji w kreowaniu rzeczywistości we współczesnych tekstach kultury na przykładzie internetowych artykułów informacyjnych

Romantičarski kodovi u romanima Miodraga Bulatovića