The paper at hand aims to shed revealing light on several of the theoretical groundings of our archtypological approach to the Columbian novelist Héctor Abad Faciolince‘s first novel. The plunge we made so bold as to take into the conceptual ocean of the imaginary, de/remythization, invariants, identity and alterity as viewed through the eyes of its multifaceted protagonist helped secure us the vantage point from which we could more faithfully chart the introspective-cum-retrospective process leading to Don Gaspar‘s paradoxical (re)construction-induced destruction.
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