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1

Poczucie czy zanik historii w poezji po 2000 roku?

100%
Chojnowski Z.
Prace Literaturoznawcze
|
2015
|
issue 3
251-266
EN
The article Historical awareness or oblivion in 21th century's poetry? ponders upon the writers' attitudes towards historical heritage. Different generations' poetry has, on one hand, a more relative view of history and mistrust of historiography and historical studies, and, on the other, contemplating the times that have past - especially the 20th century - through family matters. Historical awareness is strong in the writers for whom the imperative of engagement in the community (family, local, societal, national, European, Christian) is still important. Those writers tend to view the connection to history as a poetic game, and/or a moral obligation. The 21th century's poetry brought back the postulate of speaking the history that has been denied for political-ideological reasons, which is being realized today.
2

Каллиграфическое письмо Ф. М. Достоевского в рукописях к роману "Преступление и наказание"

80%
Баршт К.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2018
|
vol. 24: Nie tylko wiersz, nie tolko roman. Literatura polska i rosyjska w kontekście gatunków literackich
242-287
PL
Artykuł poświęcony jest opisowi kaligraficznych zapisów F.M. Dostojewskiego, które znajdują się w jego notesach i powstały w trakcie pracy nad powieścią "Zbrodnia i kara". Zapisy te nie znalazły się w wydaniu dzieł wszystkich pisarza (Leningrad 1972-1990), odgrywają jednakże ważną rolę w powstawaniu znaczeń, istotnych dla budowania fabuły i wymowy powieści. W prezentowanym tekście materiał ten został wykorzystany w postaci facsimile; kaligramy Dostojewskiego zinterpretowano także w kontekście danej stronicy notatek (wyjaśniając znaczenia sąsiadujących z nimi zapisów) oraz w szerszym kontekście twórczości pisarza w latach sześćdziesiątych XIX wieku.
EN
The article is devoted to the description of calligraphic notes of F.M. Dostoevsky as found in his notebooks, which came into being during his work on the novel Crime and Punishment. The notes were not included in the author’s complete works edition (Leningrad 1972-1990), however they play an important role in the formation of meanings crucial to building the plot and message of the novel. In the present text, the material has been used in the form of facsimiles. Dostoevsky’s calligrams have also been interpreted in the context of the given page of the notes (explaining the meanings of their neighbouring annotations), as well as in the wider context of the author’s work in the 1860s.
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