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In a relatively short period of time we have become accustomed to night time illuminated by sources of light. The culture of the reception of “historical” architectural space, created for the effects of daytime chiaroscuro, is changing. While extracting architectural objects from darkness, we should take into consideration spatial relations with the environment. Illumination should never create elements of space that remain mutually unconnected. In order to co-ordinate illumination on the scale of an urban macro-interior, it is extremely useful to conceive a conceptual project for illumination on a city scale. Finally, the illumination of a given object should be a creation meeting a fundamental condition – the evocation of the cultural values contained within a historical object in the sphere of space and spirit.
PL
Mapping – nowoczesny sposób iluminowania obiektów architektonicznych fascynuje licznych odbiorców. Powszechnie stosowany model percepcji wzrokowej, model Müllera, z 1834 roku, jest prosty i łatwy do zrozumienia ale niestety nie wystarcza do wyjaśnienia tego fenomenu. Modele bardziej zaawansowane, uzupełnione o teorię Umweltu Uexkülla daja satysfakcjonujące wyjaśnienie. W naszym Umwelcie nie występują wielkogabarytowe, szybkozmienne zjawiska, a jeśli się pojawią, zwiastują zagrożenie. Umysł obserwatora mappingu, jest poddany huśtawce emocjonalnej i z tego powodu przekaz perswazyjny, kierowany do podświadomości, nie jest krytycznie analizowany przez kore mózgową. Stąd mapping wydaje się świetnym medium do reklamy perswazyjnej, kierowanej do umysłu nieświadomego.
EN
Mapping − a modern art of architectural illumination is fascinated for many observers. Widely used model of visual perception (Müllers model, from 1834), seems to be very simple and easy to understand, but unfortunately is not enough to explain this phenomenon. More advanced models, supplemented by the theory of Umwelt (by Uexküll) give a satisfactory explanation. In our Umwelt there are no large-scale, rapidly changing phenomena, and if they occur, they herald a threat. The mind of mapping's observer, is in the state of emotional swing and therefore persuasive message, goes directly to the subconscious mind, and it is not critically analyzed by the cerebral cortex. Hence the mapping seems to be a perfect medium for persuasive advertising, addressed to the unconscious mind.
EN
Summary One of the most recognizable poets of Lubusz Land, Czesław Sobkowiak, is possessed of remarkable sensitivity when it comes to perceptions of nature. His search for the essence and truth of existence places his work in the area of phenomenological influences. Since the poet’s focus is firmly on natural environment, that variety of phenomenology could be called as ecophenomenology. That sensitivity can be described by means of the following defining terms: the essence of the quotidian can be reached via illumination; change of perspective is a technique for achieving epiphany; one is included in the mystery of existence by light; reality is perceived in motion; the perspective from which to write is geocentric; and, humanity and nature are in a chiasmatic relation to each other.
EN
In mysticism, I am mostly interested in emanations of some type of intensity of existence, which abstracts from the biological one. Revoking a treaty with time results in a puzzling personal experience, the story of which can be treated as an existential lesson. In mysticism, the truth becomes known through faith. It finds its source in love, which is the soul’s response for the salutary love of God directed at it. As a refusal of the demands of human nature, mysticism offers an entrance into the realm of the spirit and transcendence. The latter is approached by man through a sacrifice of love, which cleanses him of the ontological stain and guilt. The first stage of this peregrination is purification. It is an act of conscience stimulated by the vision of Christ’s passion, foreseeing death and inevitable Judgement. Purification is an encouragement for contrition and responsibility going beyond the temporal limits. In the second stage of the journey to God (illumination), a prayer for grace of life under the aegis of the cross substitutes the lament over oneself. It will be a life of humility, contemplation and doloristic imitation, crowned with love understood as following the intention of God.
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