Our short study tries to cast light upon a canonical Romanian poet’s paradoxical personality, a poet who, in our opinion, “suffered” by the “anxiety of influence” - a concept theorized by Harold Bloom - and, thus, endeavored in an imaginary translation of Shakespeare’s “last sonnets”. In order to reach our goal, we travelled throughout V. Voiculescu’s paratopia, using Maingueneau’s concept to understand how a believer was able to be - at the same time - poet, mystic, physician, philosopher and theologian, in the sense in which God the Word was speaking inside him, o theos logos. The multiple aspects of his personality are being revealed with the help of a various bibliography, into the light of Agapè, the divine love descending onto a poet who was being moved towards it by the all powerful Eros. The paradox is the fact that the full measure of his art was given at an old age - mid seventies -, an age when other poets are repeating themselves in a minor gamut, depleted by their intellectual force, as they are physically weakened.
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.