Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 5

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  imago
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Logos or Imago?

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
89-102
EN
In the Renaissance there was a kind of linguistic-pictorial osmosis, in which mythological configurations derived from antique literature, the poetic metaphoric of Neoplatonism, semi-fantastic and semi-realistic visions and a visible penchant for decorative rhetoric intertwined with elements of rational thought, the cult of nature, traditional reference to higher authority and practical as well as theoretical acceptance of pictorial symbolic. This language was employed to explore philosophical, ethical, and even natural categories related to issues like the beginnings of the world and nature, death, transience, vanity (vanitas),3 temperance, virtue (virtu), harmony, vita activa and contemplativa— categories in which the people of the era strove to describe youth, maturity, old age and death. In this specific language writing about a truth, idea or moral principle primarily involved presenting it as a picture, a concrete, sensually embraceable form, thing or person. Thus, if it was necessary, logos followed imago, which was genetically precedent and most important in the cognitive sense.
2
Publication available in full text mode
Content available

«Imago repraesentationis creata». Liberté et union avec l’Absolu: mystique spéculative et réflexion sur l’accès à Dieu chez Nicolas de Cues

87%
Soto-Bruna M.-J.
Roczniki Filozoficzne
|
2015
|
vol. 63
|
issue 2
125-143
PL
Autorka artykułu podejmuje temat mistyki spekulacyjnej dotyczącej tego, czy istoty ludzkie mogą osiągnąć pełną jedność z zasadą bytu w kontekście koncepcji imago repraesentationis Mikołaja z Kuzy. U Mikołaja z Kuzy to pytanie pojawia się w kontekście zachowania wolności człowieka, jako imago imitarionis creata, dzięki unii personalnej z Absolutem.
FR
Dans cet article l’auteur traite un theme de la spéculation mystique qui concerne la question de savoir si l’être humain peut atteindre une union complete avec l'origine ou principe de l'’être dans le contexte de la notion repraesentationis imago de Nicolas de Cues. Chez Nicolas de Cues cette question se pose en termes de déroulement de la liberté de l’être humain, comme imago imitationis creata, à travers cette union personnelle avec l’Absolu.
EN
In this article the author deals with a theme of mystical speculation that regards the question of whether the human being can reach a complete union with the origin or principle of being within the context of Nicholas of Cusa's notion of imago repraesentationis. In Nicholas of Cusa, this question is posed in terms of the unfolding of the human beings freedom, as imago imitationis creata, through that personal union with the Absolute.
3
Publication available in full text mode
Content available

Axiological Discourse in the Novel by Lyudmila Ulitskaya Green Tent

86%
Kuca Z.
Slavia Orientalis
|
2021
|
vol. LXX
|
issue 4
4
Publication available in full text mode
Content available

The Transfer of Imagos in Translation of Nationally Oriented and Transnational Texts (As Seen in the Novels of Czech, Slovak and Russian Writers)

72%
Kniazkova V. S., Kotova M. Y.
Bohemistyka
|
2021
|
issue 1
47-66
EN
This work is an attempt to highlight the specific features of nationally oriented and transnational prose texts. Nationally oriented texts reflect history, culture and identity of one nation (e.g. prose by Solzhenitsyn and Krištúfek), transnational texts compound two or more national culture codes (e.g. prose by Brežná, Kaminer, Moníková and Škvorecký). The goal of this study is to identify specific difficulties in the process of their translation and transfer of imagos, that is stereotypical images of other identities. With the use of stylistic method, some typical ways of transmitting these imagos in literary texts are demonstrated.
5
Publication available in full text mode
Content available

Das Bild der Polen als Heterokonstruktion in Zwischenkriegsromanen der Region Ostravsko: Tschechisch-deutsche imagologische Untersuchung

58%
Pěchula L.
Porównania
|
2020
|
vol. 27
|
issue 2
167-146
EN
This analysis aims to examine the construction of the Polish heteroimages in novels written between two World wars in the broader region Ostravsko. It is a comparative study which reflects Polish ethnotypes in a wide range of Czech and German authors. Broader Moravian-Silesian region was the target of Polish immigration, but especially Ostrava was also a multicultural center where Polish, Czech, German and Jewish People lived side by side. It is these specifics that create space for the interesting development of all ethnotypes which are the basis of this research.
DE
Die vorliegende Studie zielt darauf ab, die Strukturen des Heterobildes der Polen in den Romanen der größeren Region Ostravsko zwischen zwei Weltkriegen zu entschlüsseln. Es geht um eine komparative Analyse, die polnische Ethnotypen in den Werken deutscher und tschechischer Autoren dieser Zeit darstellt. Die Region Ostravsko war in der Vergangenheit ein Ziel der polnischen Einwanderung, aber besonders Ostrau war ein multikultureller Ort, an dem die polnische, tschechische, deutsche und jüdische Bevölkerung nebeneinander lebte. Vor allem diese Besonderheiten bilden eine interessante Grundlage für die vorliegende Untersuchung.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.