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EN
The text addresses the issue of academic education, especially its presence in the three projects of the Act 2.0. As it is shown, in each of them, mission and function of academic education is based on the formally decreed of the Polish Qualifications Framework, which means the traditional approach to education at the university. The consequences of maintaining of the paradigm of teaching and the instrumental interest in education are stressed. The author argues that this leads the patterns of paternalism in educational interactions and the infantilisation of both students and teachers. On this background, negative consequences for democratic experiences, the shaping of social capital in higher education and the emancipation of participants in educational interactions are indicated.
PL
W tekście podjęta jest problematyka edukacji akademickiej, a szczególnie jej obecność w trzech projektach Ustawy 2.0. W każdym z nich misja i funkcja kształcenia akademickiego opiera się na formalnie zadekretowanej Polskiej Ramie Kwalifikacji, co oznacza tradycyjne podejście do edukacji na uniwersytecie. Podkreślone są konsekwencje podtrzymania paradygmatu nauczania oraz instrumentalnego interesu w kształceniu. Autorka argumentuje, że prowadzi to do przewagi wzorów paternalizacji w interakcjach edukacyjnych oraz udziecinniania zarówno studentów, jak i nauczycieli. Na tym tle wskazane są negatywne konsekwencje dla doświadczeń demokratycznych, kształtowania kapitału społecznego w szkole wyższej oraz emancypowania się uczestników interakcji edukacyjnych.
EN
In the semantic field of a ̒sandpit’, as a comprehensively enclosing human existence metaphor are contained two directions of constructing the relation of analogies, based on the scale (“sandpit is the world”; “world is the sandpit”) and two mentally-cognitive structures, which are brief and mobile micro-descriptions of reality (“hourglass”; “trap”) The newest poetry (poems of Dariusz Suska, Przemysław Dakowicz, Adrian Gleń, Krystyna Lars, Leszek Szaruga) refers to the “hourglass of sandpit”, emphasising tem-poral dimension of existence. Modern drama, including Michał Walczak’s play, without sacrificing the potential of the “hourglass”, uses spatial and incidental features of a “trap of sandpit”, informing about temporary or permanent oppression, possibilities and limitations of body, sex, age.
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