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Studia Gilsoniana
|
2015
|
vol. 4
|
issue 4
393-403
EN
The article underlines the moments that define the metaphysical understanding of culture. According to this conception, culture in its most basic meaning is rationalization (intellectualization) of nature. The article is focused on the following areas: genetic-exemplarist analysis of cultural works and definition of culture from the perspective of realistic philosophy.
EN
The perspectives of digital sociology formation through the prism of transformation of new media are considered in the article. We confirm the beginning of the age of intelligent media, which incorporate the network principle of organization of the interactions with the implementations of artifacts (artificial intelligent agents) to communication processes and are the base for the formation of digital environment for human life. Among the main socio-cultural effects of the development of new media we rank the expansion of social reality due to the addition of a “digital dimension” to it, the formation of network culture and actualization of the communicative (and subsequently, network and digital) subjectivity. We consider the network culture from the point of view of the activity approach and define it as a conglomerate of stationary value and normative mechanisms, technological means of implementation and results of network communications. We consider the network culture formation to be a result of the societal networking and it serves as the basis for subsequent cultural transformations - the rise of digital culture, outlines of which can be traced along with the general digitization and formation of the high-technology digital society. The conclusion, that digital sociology is called to study the laws of social life of a contemporary person integrated into a digital space of new media, is made.
PL
The article deals with the novel The Travel of Scientist Dr. Leonardo […] by Mike Johansen which manifests the author’s predisposition to experimental game with literary tradition and classic poetics as well as to the intellectual writing. The experiment can be observed foremost in the decentration of the novel’s structure and textual communicative strategies. The author creates “the book of Landscape” as opposed to the narrative about events and characters. He plays with the reader, emphasizing on his presence permanently and exposing artistic techniques, uses language code switching and inserted constructions, creating an eff ect of cinematography. The intellectualization of writing is proved by intertextual links (fi rst of all, parodying diff erent literary styles), presence of irony as worldview principle in the work, motivation for the reader to construct possible worlds and to oscillate at the limit of the factuality and fi ctionality as well as by refl ections devoted to the philosophy of things, landscapes, travels and laws of being.
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