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Folia historica Bohemica
|
2018
|
vol. 33
|
issue 1
217-237
EN
The article describes the strategy of the Capuchin Order when establishing monastic houses in the Czech Lands in the Early Modern Age period. It also deals with circumstances related to the origins of individual Capuchin monasteries, particularly with persons and institutions involved in the process (Provincial Chapter and Superiors, founders, ruler, Ordinaries of the Diocese, diocesan clergymen or town councils). It also points out to the most common reasons why a Capuchin foundation was not implemented.
Umění (Art)
|
2018
|
vol. 66
|
issue 4
313-318
EN
The review of the book by Thomas DaCosta Kaufmann presents a treatise on the Central European art and culture of the Early Modern Age as a specific type of synthesis that, in art-historical elaboration, links the cultural-historical approach (in the Gombrich tradition) with the concept of the so-called geography of art (also known as the geohistory of art). The review not only takes note of the principles of interpretation on which the book stands, but also considers, on the basis of these, how the contemporary approach of so-called world art history, which is actually represented by Thomas DaCosta Kaufmann, is also present in its elaboration. In this approach the voice is heard once again of the humanistic and universal ethos of art history, which interprets artworks as the products of live communication and exchange in concrete historical time and space and as the products of distinctive human cultures.
CS
Recenze knihy Thomase DaCosty Kaufmann o středoevropském umění a kultuře raného novověku představuje toto pojednání jako specifický typ syntézy, která v uměleckohistorickém zpracování propojuje kulturněhistorický přístup (v gombrichovské tradici) s konceptem tzv. geografie umění (či tzv. geohistory of art). Tato reflexe si všímá nejen toho, na jakých interpretačních principech stojí kniha sama, ale vycházejíc z ní se zamýšlí také nad tím, jak je v jejím zpracování přítomen i aktuální přístup tzv. world art history, reprezentovaný právě Thomasem DaCostou Kaufmannem. V tomto přístupu se znovu hlásí ke slovu humanistický a univerza listický étos dějin umění, který vykládá umělecká díla jako produkty živé komunikace a výměny v konkrétním historickém časoprostoru a jako produkty osobitých lidských kultur.
EN
This paper focus on the question of the importance and function of medieval papal protection privileges and expecially papal protection charters drawing on examples of the documents for Moravian monasteries during the High and Late Middle Ages. Methodically it focuses mainly on assessing the state of preservation of individual protection privileges and charters that forms the main basis of subsequent statistical-diplomatic analysis of papal protection charters with an emphasis on litterae from the 13th to the end of the 15th century.
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