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PL
Artykuł przedstawia przyczyny militarne i konsekwencje prawnokarne całkowitej klęski 1 Brygady Piechoty Rezerwy na Wołyniu w czerwcu 1920 r. w czasie ofensywy sowieckiej 1 Armii Konnej i 12 Armii na Wołyniu. Pośpiesznie sformowana 1 BPRez. pod dowództwem płk. Wacława Krupowicza została rozdzielona pomiędzy oddziały Grupy Operacyjnej „Słucz” i dywizje Frontu Ukraińskiego gen. Śmigłego-Rydza. Na polecenie Naczelnego Wodza w sprawie utraty wartości bojowej 1 BPRez. i jej klęski na Wołyniu przeprowadzono śledztwo prokuratorskie w Sądzie Polowym Naczelnego Dowództwa WP w Warszawie. Artykuł uwzględnia wyniki tego śledztwa i przebieg wydarzeń na froncie w świetle zebranych dowodów.
EN
The article presents the military reasons and criminal-law consequences of the total defeat of the 1st Reserve Infantry Brigade (1st RIBde) in Volhynia in June 1920 during the Soviet offensive of the 1st Cavalry Army and the 12th Army in Volhynia. The hastily formed 1st RIBde under the command of Colonel Wacław Krupowicz was divided between the branches of the “Słucz” Operational Group and the divisions of the General Śmigły-Rydz’s Ukrainian Front. On the order of the Commander-in-Chief regarding the loss of combat value of the 1st RIBde and its defeat in Volhynia, a prosecutor’s investigation was initiated before the Field Court of the Supreme Command of the Polish Army in Warsaw. The article takes into account the results of this investigation and the course of events on the front in the light of the gathered evidence.
EN
Disasters are hardly ever unequivocal. Any attempt to sort them out remains a forever open task. A natural part of everyday life in the past, disasters have been reinvented by the modern world as a challenge that essentially needs to be eliminated from public life. Due to the dramatic expansion of humans and human activity, one can hardly call them ‘natural’ anymore. This article focuses on disasters and their significant culture-forming potential, discussing it primarily on the example of the AIDS epidemic. With this new epidemic, the catastrophic vision of history was rekindled and a specific (post-)apocalyptic social climate was created. AIDS, called the plague of the 20th century, revived the language and symbolism characteristic of many earlier epidemics. The impact of the HIV/AIDS pandemic was extremely powerful, ‘infecting’ the social iconosphere with a specific malady-oriented aesthetics. This process can be particularly seen in popular culture texts and in the space of participatory culture.
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