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EN
The article dedicated to the memory of Vladimír Svatoň (1931–2018), an eminent Czech literary scholar, specialist in Comparative and Russian literature, attempts an outline of the main themes and principles of his comparative literary analyses and reflections focusing particularly on the great literary and philosophical currents, on the “lasting shapes” of European aesthetics and poetics, the universal models and situations of artistic creations, its spiritual and cultural contexts. Svatoň’s contributions to the theory and the meaning of genres (novel, tragedy) or the typology of movements (Russian symbolism) are similarly fundamental.
2
80%
HR
Svijet u kojem živimo čini se stvoren za komparatističko‑traduktološka istraživanja. U humanistici i na području filoloških znanosti događa se prava revolucija, promjena sustava, uopće završava jedna era u povijesti civilizacije, počinje nova, digitalna epoha. Mijenjaju se dosadašnje metode istraživanja i predmet istraživanja. S jedne je strane književnost izgubila dosadašnju, visoku poziciju u društvu i zato nova formula komparatistike ne može se ograničavati na književnost ili na kulturu nego mora uzimati u obzir izvanumjetnička polja ljudske aktivnosti; filološki studij ako želi opstati ne može više biti književno i tekstocentričan. S druge strane doba Interneta i globalizacije, munjevite komunikacije, transkulturnog društva ne može funkcionirati bez prevođenja koje je najbolji način da se različite kulture zaista upoznaju i uzajamno obogate. Ovaj prostor između kultura i jezika, granična zona, koja implicira višeperspektivnost, čini se najprimjerenija za neofilološki studij i istraživanja.
EN
The world we live in seems to be created for comparative-translation studies. There is real revolution, the change of system in the humanities and philology studies; there is the end of one world and the beginning of new digital era. Research methods and research themes are changing. On the one hand literature has lost its position in society and this is why a new formula of comparative studies cannot be limited to literature or culture but comparative studies must take into account non-artistic spheres of man’s activity; philology studies, if they want to survive, cannot be limited to exclusively literary, text oriented studies. On the other hand age of Internet, globalization, communication, transcultural society cannot function without translation which is the best way to get to know other cultures and enrich each other. The space between culture and languages, border zone which implies multiperspectivism seems to be the most appropriate for neo-philology studies and research.
EN
Vladimír Svatoň became a Russian literary studies scholar and a comparatist, but he approached Russian literary studies not only in the narrow scope of Slavic studies, but in a wider context of the world literature. He rarely, and only later in his life, commented on the conception of Slavic studies and the possibilities of research in Slavic literatures. All of his comments betray a critical attitude toward the traditionally oriented Slavic studies, which have been pervaded by the romantic spirit of the National Revival. In his opinion a hidden prerequisite of Slavic studies is, in fact, a misguided idea that “Slavs form a historical unity, a specific area of culture, and therefore also a specific subject of studies”. Among the leading figures of Czech Slavic literary studies Svatoň respected Karel Krejčí , and some of Frank Wollman’s ideas took his attention. The paper notes also some excerpts from Svatoň’s correspondence, in which the author reflects on the subject of the Slavic studies and on some issues of the comparative studies in Slavic literatures.
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