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Pisarz i jego język. Przypadek Iva Andricia

100%
Darasz Z.
Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica
|
2017
|
issue 12
51-60
EN
A complex biography of Ivo Andrić (1892–1975) was shaped in a wide net of identity references: ethnocultural, religious, political, and linguistic. He was born to a Croatian Catholic family in Bosnia, he was a convinced supporter of Yugoslavism and a writer of the language defined as Croato-Serbian / Serbo-Croatian diasystem. In the period of his links with the cultural environment of Zagreb (1912–1919), he was writing according to the Croatian standard, later basically, in Serbian, but using environmental and stylistic diversity of the diasystem in order to stress its cognitive and artistic potential. Currently, when four national language standards are developing on the basis of the diasystem: Serbian, Croatian, Bosnian and Montenegrin, reading Andrić in accordance with post-Yugoslav linguistic ideas, that is with the awareness and conviction about the „break-up” of the Serbo-Croatian language, would necessarily lead to an absurd conclusion that the writer created his works using the content of various languages. Literary heritage of the great writer of Serbo-Croatian language, which remains a sociocultural fact, has been used not only by Serbian culture and language, but also by global culture – thanks to translations of the works of this Nobel laureate into numerous world languages.
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Seksualność Paskwaliny, czyli o specyfice poematu Samuela Twardowskiego raz jeszcze

80%
Szafrańska N.
Meluzyna. Dawna Literatura i Kultura
|
2019
|
vol. 2 (11)
21-33
EN
The main purpose of the text is to analyze the problem of sexuality presented in the poem by Samuel Twardowskiof entitled “Nadobna Paskwalina” (“The beautiful Paskwalina”). The analysis was based on previous research: the mimetic concept of René Girard and an attempt at feminist reading of romance. The author shows the process of constructing a woman’s personality on the foundations of admiration on the part of the male sex and confronts it with the traditional model of a woman which dominated in the old ages. The next part of the text presents the relationship between the process of building and collapse of the Paskwalina’s identity according to the concept of René Girard. The heroine’s journey and the significance of the influence of her guides are being analyzed. The poem is interpreted as an extensive commentary by Samuel Twardowski on the observed realities of everyday life of the Catholics, and the finale of this romance as a girardian murder of the heroine’s sexuality, which acquires a transgressive character.
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