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EN
Reymont wrote the short story, 'Los toros', in the year 1907 after coming back from Spain, where he witnessed a corrida in San Sebastián. The choice of the genre was intentional. The writer used it to reflect the realities of life and depict a group portrait of Spaniards, in which he succeeded without a doubt, using all with his literary imagination and ability to make his works metaphoric. Baffled by the corrida as an element of Spanish culture, Reymont did not express his moral approval of torturing animals (bulls and horses) on stage. On the contrary, his narration is full of sympathy and expressions that indicate emotional engagement. The turning point, the act of pardon performed by the young shepherd and the narrator’s friend towards the bull, indicates that Reymont’s reception of the corrida was empathic. Now, we had two conclusions on the contesting of the phenomenon. Reymont’s work was used by the French Chamber of Deputies as a literary example of disapproval of bloody spectacles that are justified by tradition. 
EN
Among the accounts of travels in Spain in the 1st half of the 19th century, there is a rather unknown memoir of Piotr Falkenhagen-Zaleski, written on the basis of his 1843 experiences. This exceptionally capable and flexible emigrant began his career in international trade, having successfully tried his hand at journalism and politics in the past. He became an employee at the Henry Hall department store in London, and then opened his own company of the same sort, establishing contacts in many European countries. The travel to Spain aimed at securing another contract. It appears that he did not achieve this goal. On the other hand, the stay behind the Pyrenees, mainly in Barcelona and Madrid, and the very travel from France to Spain allowed the Polish traveller to become familiar with two elements of the Spanish (political and cultural) reality through an incident with the Carlists and the corrida spectacle. He put those experiences in an interesting, although brief report from Spain.
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