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REWITALIZACJA I KRAJOBRAZ MIEJSKI - KWESTIA SPOŁECZNEJ ODPOWIEDZIALNOŚCI

100%
KACZMAREK S.
Studia Miejskie
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2010
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vol. 1
284-290
EN
Revitalization of postindustrial urban areas in European cities changes and redefines the Urban landscape. The process is multidimensional: materiał, functional, spatial symbolic and above all social. New urban landscape ofrevitalized areas is perceived contextually by inhabitants and other users. Based on analysis of case studies describing in literaturę, the article presents direct and indirect relations identified inurban landscape of revitalized postindustrial urban areas depending on the different contexts. The conclusion underlines the aspect ofthe social responsibility ofthe revitalization in the process of monitoring and assessing it.
PL
Procesy rewitalizacyjne terenów poprzemysłowych - przeprowadzanew Europie coraz liczniej - przekształcają krajobraz miejski. Zmiany te mają charakter wielowymiarowy: materialny, funkcjonalny, społeczny i symboliczny. Nowy krajobraz zrewitalizowanych fragmentów miasta odbierany jest kontekstualnie przez mieszkańców i użytkowników. W artykule omówione zostaną relacje bezpośrednie i pośredniewystępujące w krajobrazie miejskim zrewitalizowanych terenów poprzemysłowych. Na podstawie wybranych studiów przypadku zaproponowany zostanie model wykorzystania tego typu analiz do monitoringu i oceny skuteczności dokonanej rewitalizacji w kontekście jej społecznej odpowiedzialności.
2

Wędrówki i przechadzki po Wilnie dwudziestolecia międzywojennego

100%
Krupowies W.
Przegląd Humanistyczny
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2014
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issue 6(447)
125-138
EN
The article analyzes texts of three authors: Bułhak, Jankowski and Dőblin. These are the texts of various genres: Vilnius guide, which was intended to be a peculiar handbook of looking at and taking photos of the city; moreover features and travel reports. Their common element is a localized subject, which is Me wandering, walking and strolling around Vilnius, as well as the reader’s reception and researcher’s interpreting gesture. The analysis of these texts helped identify basic reading city codes in a specific historical time and formulate a working hypothesis on the functioning of the interwar Vilnius in several paradigms: post-romantic and landed gentry paradigm, Eastern European multiculturalism and paradigm of modernity.
3
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Zmiana wizerunku miasta w świetle likwidacji hałd pohutniczych

100%
Marta B.
MAZOWSZE Studia Regionalne
|
2018
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issue 24
49-61
PL
W artykule przedstawiono zmiany w krajobrazie miasta Ozimek (woj. opolskie) dotyczące terenów przemysłowych, powstałe w wyniku likwidacji hałd przyzakładowych. Podjęcie tematu przez autora jest wynikiem wieloletniej współpracy z opisanym zakładem przemysłowym, w ramach której badano wpływ odpadów zgromadzonych na hałdach na środowisko naturalne oraz fakt, że autor artykułu jest mieszkańcem opisywanego miasta. Głównym celem opracowania było przybliżenie przykładu zmian w krajobrazie miejskim terenów postindustrialnych wynikające z likwidacji hałd przemysłowych. Jest to przykład racjonalnego zarządzania obszarem miejskim i dobrej współpracy jednostek samorządowych z przemysłem. Likwidacja hałd oraz rewitalizacja terenów poprzemysłowych wpłynęła nie tylko na poprawę krajobrazu, ale także na środowisko naturalne. Dzięki ponownemu wykorzystaniu odpadów zgromadzonych na hałdach ograniczone zostało zużycie surowców naturalnych i jednocześnie zmniejszono ich wpływ na środowisko. Dwie hałdy należące do „Huty Małapanew” zlokalizowane były w poprzek drogi krajowej nr 46 Opole–Warszawa (DK46), wzdłuż przepływającej tam rzeki Mała Panew. Przez wiele lat hałdy stanowiły integralną część miasta, tworząc industrialny krajobraz. Obecnie tylko niewielka część składowiska należy do zakładu, gdzie gromadzi się odpady z bieżącej produkcji. Pozostałą część składowisk sprzedano firmie zajmującej się odzyskiem odpadów hutniczych i produkcją kruszyw drogowych. Dzięki stopniowej likwidacji hałd, krajobraz miasta ulega ciągłej poprawie. Gmina odzyskała część terenu składowiska, którą przeznaczyła pod inwestycje. W pracy opisano genezę powstania składowisk i ich rozbudowę na tle historii zakładu. Dodatkowo zilustrowano zmiany krajobrazu miejskiego w trakcie likwidacji hałd.
EN
The article presents changes in the urban landscape caused by the elimination of overhead slag heaps from the “Huta Małapanew” metalworks in the city of Ozimek (Opole Region). The subject was undertaken as a result of the author’s long-term cooperation with the industrial plant during which the environmental impact of waste collection on heaps was studied. The author is also a resident of the city in question. The main objective of the study is to present the changes in the urban landscape of post-industrial areas resulting from the elimination of industrial heaps. This is an example of rational urban area management and effective cooperation between the local government and the industrial sector. The removal of the heaps and the renewal of the post-industrial areas have improved not only the landscape, but also the state of the environment. Reuse of the waste collected in heaps has reduced its environmental impact and the consumption of raw materials. Two slag heaps from “Huta Małapanew” were located across national road no. 46 Opole–Warszawa (DK46), along the Mała Panew river. For many years the heaps were an integral part of the city, creating an industrial landscape. At present, only a small part of the landfill belongs to the foundry and still serves as a site for waste collection. The remaining part of the landfill was sold to a company that specializes in foundry waste recovery and production of road aggregates. Due to the gradual elimination of the heap, the city landscape is constantly improving. The municipality became the owner of a portion of the landfill, and the area was designated for investment. The article describes the origin of the heap and its development against the background of the foundry. In addition, changes to the urban landscape during the heap’s elimination are illustrated.
4
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Tereny mieszkaniowe w krajobrazie Lwowa (w drugiej połowie XX i na początku XXI wieku)

94%
Posatskyy B.
Space – Society – Economy
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2016
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issue 15
9-32
EN
Residential areas to a great extend shape the landscape of Lviv. According to the general trend of the concentric city development, residential areas of the second half of the twentieth century surrounded in the form of a ring the city territory at the XIV – early XX century.Their spatial forms varied depending on the trends that prevailed in architecture and urban planning in USSR and then in U kraine: – 1945–1955, imitation of classical architecture and urbanism forms; – 1956–1990, application of the functionalism principles, construction of the city periphery, large-scale compositions of residential areas; – 1991 – up till now, the plurality of spatial forms, construction of individual building-seals, small residential neighborhoods.Radical real changes in Lviv townscape commenced in the end of 1950s. Since that time the dynamic development of the town began, and facilitated towns transformation into the largest industrial centre in eastern Ukraine. First new dwelling sites emerged in 1950–1960s in the western sector of the town.In 1970–1980’s housing appeared on vast territories of the southern, northern and eastern sectors of the town. The new industrial and dwelling districts gained quite a new (much more larger than previous one) spatial scale of urban management and housing of the territory, determined by theory of the Soviet urban planning of that time. The territory planning presupposed the very change of the urban form, traditional blocks were altered by „free” located separate buildings on the territory.Dwelling housing, at first, consisted of 5–9-storey buildings. In 1970s and during the 1980s the height of houses was risen to 12–15-floors. Thus, large dwelling sites with great number of multistorey buildings were formed. The compact town housing of the first half of 20th century was changed by the new image of urban areas, that consisted a „separately located” edifices with vast spaces between them (yet the young trees were not high). Two, almost independent, town scapes emerged coegsisting on the town’s territory: historical and contemporary townscapes (i.e. of the second half of the 20th c.). Luckily the relief of the site allows to separate visually historical and contemporary town landscapes: historical town is situated in the amphiteatre of the Poltva river valley, and the new residential areas occupy the eminence of the plateau around the valley.|The peculiar example of the new town landscape construction is Syhiv residential site (district) in the southern sector of the town, being constructed during the last two decades. Housing of this area got started in 1980s, and during the first several years consisted of groups of 9-storey buildings of the same type, located almost regularly on the territory. This esidential territory occupies an area of 300 hectares between Zelena and Stryjska streets, former trade routes, stretching to the north-eastern and southern directions from Lviv.During the first decade the dwelling houses of Syhiv consisted of 9-storey large panel construction apartment building, later on, after 1990s, requirements of a total typification were eliminated, and separate 12–15-storey houses of a tower-type gained monumentum; they were becoming spatial accents.By 1991, architectural image of Syhiv was replenished by houses of religious worship – churches and chapels. First, they were built-up spontaneously, almost without architects. The largest new church in Lviv was constructed in the district centre of Syhiv after the design of Radoslav Zhuk, Ukrainian born Canadian architect. In the beginning of 1990s, the territorial development of the residential and industrial areas within the town was almost stopped instead, private single family house architecture in the suburban zone gained momentum, and in 1991–1997 a ring belt of two and three-storeyhouses, that embraced multistorey housing areas of 1960–1980s was created. Another change of the spatial scale of the housing of a territory took place, this time – by its sharp reduce.At the end of 1990s town landscape of the periphery zone of Lviv’s central part (at the border with the new dwelling quarters of multi-storey housing) was slightly changing. Construction of the 5–9-storey multi-compartment dwelling houses with flats equipped in and correspondence to contemporary European requirements was commenced in this zone. These houses were erected by private investors on separate free plots, mostly among extant 2–3-storey dwelling housing, that engirdled 3–4-storey dwelling quarters (dated to a cross of the 19–20th cc.) in the centre of the town. Due to their height the new constructions created local spatial emphasis. Peculiar feature of architectural image of these buildings is combination of forms of European Post-Modernism and regional Sub-Carpathian architecture. Houses posses slopping roofs, covered with roofings, facades are built of brick, covered with plaster, wood is applied as well as glass, metal and plastic material.
PL
Tereny mieszkaniowe w znacznej mierze kształtują krajobraz Lwowa. Zgodnie z ogólną tendencją koncentrycznego rozwoju miasta tereny mieszkaniowe drugiej połowy XX w. otoczyły pierścieniem obszar Lwowa XIV i z początku XX w. Ich formy przestrzenne zmieniały się w zależności od trendów panujących w tym czasie w architekturze i urbanistyce ZSRR, a potem Ukrainy: niewielkie kwartały, wielkie osiedla mieszkaniowe, odosobnione domy.
5
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LUDOWE TRADYCJE W ŻYCIU MIESZKAŃCÓW POZNANIA

67%
Brencz A.
Ochrona Zabytków
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2004
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issue 3-4
141-153
EN
The article is an attempt at demonstrating certain aspects of non-material cultural heritage in the contemporary urban landscape. From the ethnological point of view many non-material elements consist of activity and behaviour, at times of a symbolic nature, which comprise an important component of the cultural heritage. Such elements play an essential part in shaping the landscape by endowing it with a unique atmosphere, characteristic for each town. The author of the presented article used the example of Poznań to seek an answer to questions about the role of traditional folk culture and its particular constituents in the creation of a contemporary urban landscape. In the case of Poznań this function proved to be truly significant. The incoming population from the villages of Greater Poland made its own “invisible” cultural contribution. Some of the elements were rejected in the new environment, while others were preserved owing to their special value. All generated a specific conglomerate of Poznaƒ tradition discernible, i. a. in the evaluation of city space or the features of the local dialect. This impact is particularly visible in the culinary tradition, where one may easily discover echoes of an obligatory and rigorously observed model of “consumer minimalism”. The preserved traditions include those of baking ritual bread (the famous St. Martin crescents). Many cultural phenomena continue to appear in family and annual rites, such as the custom of presenting children with gifts on St. Nicholas day, the figure of the Star Man (Gwiazdor), who brings presents to children on Christmas Eve, or podkoziołek, a name given to the entertainment enjoyed on the last day before Ash Wednesday. The intention of the presented study was to draw attention to the role performed by folk tradition, and to indicate the possibilities of using it in multiple pragmatic undertakings pursued for moulding the cultural landscape of the contemporary town.
6
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Wilno jako projekt nienostalgiczny. Litewska proza wobec wielokulturowości i palimpsestowości Wilna

51%
Kowerko-Urbańczyk M.
Porównania
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2013
|
vol. 12
87-102
EN
The article is based on recognitions of Tomas Vencova, who positively evaluates Vilnius as a multicultural city and interprets the Lithuanian capitol using the metaphor of palimpsest. Theorists have reported a number of concerns with these conceptions. The article presents an analysis of novels by Ricardas Gavelis and Jurgis Kunčinas created in the late eighties and early nineties of the twentieth century. In their prose both Lithuanian authors distancedthemself to the concept of multiculturalism and metaphor of the city as a palimpsest and theytried to rewrite its space using non-nostalgic keys. 
PL
Punktem wyjścia dla niniejszego tekstu, staną się rozpoznania Tomasa Venclovy, który pozytywnie wartościuje wileńską wielokulturowość i interpretuje miasto jako palimpsestowy wielogłos różnych nacji. Wobec takiego stanowiska teoretycy i badacze regionu zgłaszali jednak szereg zastrzeżeń. Przedmiotem artykułu jest analiza powieści dwóch prozaików litewskich Ricardasa Gavelisa i Jurgisa Kunčinasa powstałych na przełomie lat osiemdziesiątych i dziewięćdziesiątych XX wieku. W swoich pracach obaj autorzy dystansowali się wobec koncepcji wielokulturowości i palimpsestowości Wilna oraz podejmowali próbę przepisania wileńskiej przestrzeni używając nienostalgicznegoklucza.
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