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Piano practice in music teacher education:

100%
Blum R.
Forum Oświatowe
|
2022
|
vol. 34
|
issue 1(67)
137-151
PL
Celem niniejszego artykułu jest przedstawienie i omówienie specyficznego modelu samopodobieństwa cyklicznej praktycznej nauki gry na fortepianie w kształceniu nauczycieli muzyki. W tym celu do pedagogiki fortepianu wdrożono spiralny, hierarchiczny model rozwoju oparty na ujęciu Brunera (1960/1977) i Kraler & Schratz (2012) a dydaktycznie sprecyzowanego przez Bluma (2019). Wyniki badań zostaną wykorzystane do opracowania środków dla nauczania praktycznego fortepianu w kontekście wstępnego kształcenia nauczycieli muzyki. Z tego wynikają innowacyjne, długoterminowe perspektywy dla specyficznej roli i funkcji „praktycznego fortepianu” w ramach dalszego rozwoju i profesjonalizacji kształcenia nauczycieli muzyki.
EN
The aim of this article is to present and to discuss a specific model of self-similar cyclical practical piano learning in music teacher education. For this purpose, a spiral, hierarchical development model based on Bruner (1960/1977) and Kraler & Schratz (2012), didactically specified in Blum (2019), is implemented in the field of piano pedagogy. The findings will be used to infer measures for the teaching of practical piano in the context of initial music teacher education. From this, innovative longer-term perspectives are derived for the specific role and function of the “practical piano” within the framework of the further development and professionalisation of music teacher training.
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WYCHOWANIE MUZYCZNE DZIECKA W PRACACH KRAKOWSKICH PEDAGOGÓW 2. POŁOWY XX WIEKU

100%
Ławrowska R.
Ars inter Culturas
|
2015
|
issue 4
43-60
EN
In Poland after the Second World War, the education of children became the central topic of interest of many educators who craved the Polish cultural and intellectual rebirth after war damages. During that time, the pedagogy of cultural and aesthetical upbringing (including music education) was particularly emphasized. The author presents the practical and theoretical research (conducted in Cracow) pertaining to early child development. They include: the establishment of the first network of musical pre-schools in Poland (the Cracow Curriculum and Methodical Concept) and numerous research publications. The author concludes the essay by offering new pedagogical directions in early education in the period of digitization in the 21st century.
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