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PL
Artykuł poświęcony jest corocznym diecezjalnym spotkaniom młodzieży w sanktuarium Matki Bożej Bolesnej w Skrzatuszu, które od kilku lat są największym wydarzeniem duszpasterskim w diecezji koszalińsko-kołobrzeskiej. Stanowi on próbę syntetycznego opisu tego wydarzenia, będąc jednocześnie formą sprawozdania, ewaluacji oraz próbą odniesienia go do całokształtu wyzwań kulturowych i duszpasterskich, które płyną ze strony świata młodych. W tej perspektywie, pomimo potrzeby dalszych analiz i korekt, skrzatuskie spotkanie z pewnością stanowi moment ewangelizacji młodych oraz chrześcijańskiej odpowiedzi na ich różnorakie problemy.
EN
The article discusses the annual diocesan meetings of young people in the sanctuary of Our Lady of Sorrows in Skrzatusz, which for several years is the biggest pastoral event in the diocese of Koszalin-Kolobrzeg. It is an attempt to synthetic description of the event, while at the same time form of reports, evaluations and attempt to relate it to the whole cultural and pastoral challenges that flow from the world of young people. In this perspective, despite the need for further analysis and adjustments, this meeting is certainly a moment of evangelization of young people and the Christian response to their various problems.
EN
This article analyzes hiphop as a multicultural manifestation of the youth culture. The youth culture is understood as the content offered for the young generation by the popular culture. It is perceived as the result of complex processes that start with local youth groups, cultural innovations and various rituals. The author describes the beginning of hiphop culture in the urban ethnic dimension and goes on to analyze its core manifestations such as rap, graffiti, and break dance. The author traces ways in which rap, graffiti and break dance were created, interpreted, and assimilated according to the needs of multicultural exemplification of youth’s local identities. This article also indicates the possibility of using elements of hiphop youth culture in the prevention projects realized in multicultural environments.
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