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Demolition. (Nie)słyszalne głosy i praktyki dyskursywne anglosaskich artystek hardrockowych

100%
Kosek J.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
|
2021
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vol. 114
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issue 2
61-73
EN
This article focuses on female hard rock and (heavy) metal artists largely marginalised in previous national research on the anthropology of popular music. The current state of research is presented in a context. Selected topics are discussed related to the artistic practices and image, the multidimensionality of the voice, the category of the body, and the aesthetics of the aging of female artists. The (heavy) metal culture is analysed in the context of exhibitionism defined in a non-reductionist manner not only as a kind of sexual paraphilia, but more broadly as a tendency (at times excessive) to reveal personal and intimate details to others, expose one’s self, and in some cases also one’s body. The text focuses on Girlschool, the British longest-running all-female rock band whose career can be viewed from the perspective of longue durée, and Otep, an American band synthetically characterised through its leader’s political manifestations represented on the album Kult 45 (2018). The careers of the both bands are analysed in terms of the dominant metal masculinist paradigm, as well as from the perspective of ideological discourses and the (trans)media logic of convergence culture.
2
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Kultura rocka a przestrzeń Internetu

100%
Kosek J.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2016
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issue 8(2) "Cyfrowa humanistyka"
71-84
PL
W artykule podjęto refleksję na temat miejsca kultury rocka w przestrzeni Internetu. W kontekście zagadnień konwergencji zwrócono uwagę na wybrane nowe media, interesujące z perspektywy odbiorcy treści o tematyce rockowej. Ponadto poruszone zostały pewne aspekty związane z działalnością fanów rocka i ich twórczością w sieci internetowej.
EN
The article focuses on the area of rock culture in the Internet space. In the context of the convergence issues, the text touches upon the selected new media, interesting from the perspective of a rock fan. Furthermore, the article touches upon the aspects covering rock fans activity and fan art on the Internet.
3
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Głos prekursora heavymetalowego brzmienia... O autobiografii "Iron man". "Moja podróż przez niebo i piekło z Black Sabbath" Tony’ego Iommiego

100%
Kosek J.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
|
2018
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issue 10(3) "Studia nad kulturą metalową"
88-94
PL
W artykule dokonano omówienia wybranych aspektów autobiografii jednego z prekursorów heavy metalu Tony’ego Iommiego. Tekst Iron man. Moja podróż przez niebo i piekło z Black Sabbath rozpatrzony został w kontekście m.in. kategorii pamięci autobiograficznej. Szczególną uwagę zwrócono na bohaterów narracji oraz wydarzenia specyficzne i przełomowe w życiu artysty.
EN
This article focuses on the some aspects of the autobiography of heavy metal music precursor Tony Iommi. Text Iron man. My journey through the sky and hell with Black Sabbath was considered in the context of category of autobiographical memory. Special attention was paid to the main characters of narrative and to the specific and crucial events of the artist’s life.
4
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Tomorrow is the fear. Lęk przed technologią w twórczości grup rockowych i metalowych

100%
Małczyński B.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
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2018
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vol. 101
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issue 2
157-173
EN
This sketch analyses the series of images used by rock and metal bands (King Crimson, Voivod, Pestilence) on their selected album covers. They depict a distinctive motif of a face wincing because of some extreme traumatic sensation. Sources of theses extreme emotions are various, but one of the most significant is a sudden awareness of threats deriving form the unstoppable development of technology. Selected lyrics focusing on ominous and dystopian themes are also reflected upon and analysed. Their content clearly confirms the presence of fears and obsessions embedded in rock and metal music.
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