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„Krakowska prowokacja”? O „Dziadach” Adama Mickiewicza w reżyserii Bohdana Korzeniewskiego

100%
Makaruk M.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
|
2019
|
vol. 19
224-242
RU
This essay is an analysis and interpretation of Bohdan Korzeniewski’s June 1963 staging of Forefathers’ Eve in the Juliusz Słowacki Theatre in Krakow. Korzeniewski’s spectacle, named by Maria Czanerle ‘the most shocking thing ever done to Forefathers’ Eve’, with awe- -inspiring stage design by Tadeusz Brzozowski and Krzysztof Penderecki’s avant-garde music, did not earn a lasting place in the history of theatre. It received rather lukewarm reviews and did not gain the favour of actors, either. Despite being received enthusiastically by such distinguished critics as Marta Fik and Stanisław Marczak-Oborski, Korzeniewski’s Forefathers’ Eve has largely been forgotten. This essay is an attempt at reconstructing the performance based on the remaining theatrical copies, reviews and memories of those who collaborated on the production. The essay’s author poses the question about what part of Korzeniowski’s failure was due to the historical context and the impossibility to realize this concept in another reality an on another stage. As, indeed, Korzeniewski created his interpretation in 1953 and it was part of a secret ministry competition for the first postwar staging of Forefathers’ Eve. Analyzing the implicit signs present in the director’s concept, which refer to the reality of the war, occupation and Stalinist period, the author also asks how Polish romantic drama staging history would have unfolded if it was Korzeniewski and not Aleksander Bardini who staged Forefathers’ Eve in 1955 in the Polish Theatre in Warsaw.
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Cmentarzysko kultury kurhanów wschodniolitewskich z okresu wędrówek ludów w Vilkiautinis na Litwie w świetle badań z 1913 roku

80%
Rosowska J.
Wiadomości Archeologiczne
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2019
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vol. LXX
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issue 70
133-172
EN
In 1913, Stefan Krukowski excavated a cemetery at Vilkiautinis (former Wysokie) in southern Lithuania. The cemetery belonged to the people of East Lithuanian Barrow Culture and was used mostly in the late phase I (2nd/3rd – half of the 5th c.) and phase II (half of 5th – 6th/7th c.) of this culture. 22 barrows were excavated containing 18 graves. Four inhumation graves belong to the oldest group, while the cremation graves found in Vilkiautinis (14 in all) are relatively younger. Currently, preserved sources (41 objects of 65 survived, kept in the State Archaeological Museum in Warsaw) allow us to recover knowledge about this cemetery. The example of the Vilkiautinis cemetery is further proof of the importance of archive studies in the archaeology of the Balts. It is an essential complement to the research conducted on this cemetery in the second half of the 20th century.
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