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Water as scar tissue: The “Saumon noir” odyssey by Serge Delaive

100%

Ślusarska A.

Lublin Studies in Modern Languages and Literature

2018

vol. 42

issue 3

Das Volume enthält keine Abstracts in deutscher Sprache.

Water is one of the obsessive themes in Serge Delaive's literary and photographic work. As an image of the in-between, the Delaive’s water symbolizes the fundamental ambivalence of man. It also plays the role of "scar tissue", capable of "stitching" the links of connaturality, removing the boundaries between rootedness and openness, between real and beyond, between past and future, between individual and community, between history and myth, between word and image. Our study aims to analyze this unifying function of water, focusing on three key notions of the story Black salmon (2017): movement, memory and identity.

L’eau est l’un des thèmes obsessionnels dans l’œuvre littéraire et photographique de Serge Delaive. En tant qu’image de l’entre-deux, l’eau delaivienne symbolise l’ambivalence fondamentale de l’homme. Elle joue également le rôle de « tissu cicatriciel », capable de « recoudre » les liens de connaturalité, de supprimer les frontières entre enracinement et ouverture, entre réel et au-delà, entre passé et futur, entre individu et collectivité, entre histoire et mythe, entre mot et image. Notre étude vise à analyser cette fonction unificatrice de l’eau, en se focalisant sur trois notions clés du récit Saumon noir (2017): le mouvement, la mémoire et l’identité.

Том не содержит аннотаций на русском языке.

Memory and the Splitting of the Self in John Banville’s The Sea

70%

Kucała B.

Lublin Studies in Modern Languages and Literature

2016

vol. 40

issue 1

Der Band enthält die Abstracts ausschließlich in englischer Sprache.

This article explores the problem of the self in The Sea by John Banville. The narrator’s professed lack of a stable identity coexists with a multiplication of his different “selves.” It is argued that the splitting of the self in Banville’s novel is more complicated than the split between a narrating self and the subject of narration, common to retrospective first-person narratives. Due to the intensely visual and time-defying nature of his memory, the protagonist seems to revive the past and achieves the sense of a simultaneous existence as two beings. The narrator’s need to locate himself at a fixed point in his narrative, combined with his inability to adopt a definitive perspective, results in a permanent erosion of identity.

Le numéro contient uniquement les résumés en anglais.

Том содержит аннотацию только на английском языке.

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2 Lublin Studies in Modern Languages and Literature

1 Kucała B.

1 Ślusarska A.

1 2018

1 2016

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Water as scar tissue: The “Saumon noir” odyssey by Serge Delaive

Memory and the Splitting of the Self in John Banville’s The Sea